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Dancing With Dickens

Ilove happy endings,” says Eric Johnston, my jovial guide to a new retelling of the tale of Ebeneezer Scrooge. I mean, it’s no spoiler alert that Charles Dickens’ A Christmas Carol, in any variation, lands on a joyful note, but I quickly gain the impression that the Scrooge story I’m about to encounter will be [...]
Laura Dachenbach



Ilove happy endings,” says Eric Johnston, my jovial guide to a new retelling of the tale of Ebeneezer Scrooge.

I mean, it’s no spoiler alert that Charles Dickens’ A Christmas Carol, in any variation, lands on a joyful note, but I quickly gain the impression that the Scrooge story I’m about to encounter will be quite different indeed. Now switching gears, Johnston launches into a true recollection of a Christmas that wasn’t all carols, gifts, and figgy pudding to prepare his audience for their own holiday reflection and thoughts of change.

Dickens may have been the first author to place his humanitarian concerns in the context of a holiday fable. However, Good Medicine Productions and director Kristie Koehler Vuocolo seek to personalize those concerns with Uptown Scrooge, an interactive, improv-based performance/walking tour of ten businesses in Uptown Westerville where the audience collectively takes upon the role of Ebenezer Scrooge, introspection and all.

“It’s one of my favorite stories because of the moment—the happy ending,” Koehler Vuocolo confesses. “But in order for an audience to really get there, I want them to experience it. I think to feel that joy you have to go through the journey with the actors. That’s the unique style of this piece and our aesthetic.”

Raising a hand into a coil and rotating it, Koehler Vuocolo explains what Uptown Scrooge is. “That’s what we’re trying to do with A Christmas Carol. Dickens is our umbrella, and we take that story and we twist it and twirl it and make it our own.”

Koehler Vuocolo, a Westerville native, made a recent return to Columbus to be with family after spending two decades in the Chicago improv comedy scene working with groups such as Chicago’s Neofuturists and Barrel of Monkeys, a sketch comedy writing project for students in Chicago’s urban schools. She was also a member of the Big Apple Circus Clown Care Unit, an ensemble that uses improv and clown performance to uplift the ill. However, shortly after returning to Columbus, the birth of her son and the unexpected death of her mother left Vuocolo questioning her purpose.

“For a while, I was in this fog here, missing my art community in Chicago—in a fog of grief and a new baby kind of thing. And then last December I started listening to Hamilton the musical and it opened up something inside me.”

In Koehler Vuocolo’s Christmas stocking that December was a note from her husband that said, “Kristie, don’t ever feel stuck. Go see Hamilton and make some art in 2016.” It was accompanied by a ticket to see Hamilton on January 23, 2016.

That date unfortunately happened to coincide with a blizzard that shut down the entire New York theater district, so a group of Vuocolo’s friends pooled together enough money to buy her a replacement ticket for the fourth row of the show. The pilgrimage became her creative unblocking.

“It was all for the sake of art. No one died. It was like love and art, and it was a really moving experience,” she explained. “I felt that when it was done, I had a duty to create something here.”

Koehler Vuocolo took her background in improv and creative nonfiction and began to write a script that would bring together both spontaneity and transformation. During Uptown Scrooge, Scrooge (as played by the audience) is taken on a journey. They encounter Bob Cratchit at a coffee shop furiously typing away on a laptop; join the Fezziwigs in the cha-cha slide at the entryway of 8 State Bistro; and finally, they face the Ghost of Christmas Future (and redemption) at The Parlor—a holistic and metaphysical center. All the while fending off volunteers from the Westerville Area Resource Ministry (WARM) as they ask for donations, with a “Bah Humbug!” or two along the way.

WARM serves Westerville residents in need year-round, providing material assistance and paths to self-sufficiency through education and mentoring. While ticket sales will go to Good Medicine Productions, Vuocolo hopes that the experience of stepping into Ebenezer Scrooge’s shoes will encourage the audience to consider a donation to WARM as well.

Uptown Scrooge is interactive, but introverts shouldn’t be worried about having a “singing waiter” moment—good actors read the room and support each individual’s desired level of participation. Koehler Vuocolo hopes that both children and adults will find a certain magic in caroling on the streets.

“That’s where our improvisation comes—taking audience reaction and celebrating whatever they give us.”

Uptown Scrooge will run Saturday and Sunday afternoons through December 18. A portion of proceeds directly benefit the signature programming of Good Medicine, which serves pediatric and senior living  facilities.

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Arts & Culture

Nina West makes TV History with Emmys appearance

Mike Thomas



Hometown hero Nina West is having a big year. Following her "Miss Congeniality" win in season 11 of RuPaul's Drag Race, West has released of a children’s music album, Drag Is Magic, and a comedy EP, titled John Goodman.

Now, the Columbus drag icon can add a moment of television history to her impressive list of accomplishments.

According to, West is the first person in Emmys history to walk the purple carpet in full drag.

Season 11 of Drag Race, which airs on VH-1 and has been renewed for a 12th season, took home 4 Emmy wins, including the trophy for "Outstanding Reality Show." The long running competition was nominated for 14 awards in all—the most of any VH-1 show in history.

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Arts & Culture

How Bazaar: Popup arts fest shines a light on local creatives

Mike Thomas



While cultivating a newfound sense of personal fulfillment might be as simple as picking up a paint brush or instrument, earning a living through your art is a more complicated prospect. As longtime friends, collaborators, and Columbus art-scene hustlers Dustin Bennett and Zak Biggard will tell you, making it as an artist sometimes comes down to who you know.

Having met years ago as coworkers at a local printmaking shop, Bennett and Biggard have gone on to individual success with their own creative design firms. For Bennett, part of this work entails curating the art displayed at Clintonville’s Global Gallery, a cafe and art space that is committed to promoting fair trade handcrafted products from around the world.

When an exhibition Bennett was planning for the space fell through, he reached out to Biggard to fill the vacancy with his work. The resulting show was a hit, with Biggard selling several pieces in one of Global Gallery’s most successful exhibitions to date.

Biggard and Bennett outside of Global Gallery (Photo: Brian Kaiser)

His reputation with the venue established, Biggard approached Amy Palmer, Global Gallery’s manager, with an idea for a large-scale show. She gave him the thumbs up, and Biggard again partnered with Bennett to help bring his vision to light. The result is a show spanning three weekends in the month of August that the duo have dubbed Bazaar Ritual.

“The idea was a bazaar, this sort of Middle-Eastern marketplace where you walk in and it’s just a feast for the senses,” says Biggard. “All of these different sights, sounds, smells—everything packed together.”

As mutually beneficial as their collaborations had been, the Bennett and Biggard hope to open the doors of opportunity wide to other artists. Through this new exhibition/festival, the two aim to shed a light on creators who may not know how to navigate the sometimes complicated process of getting work into a conventional art show.

“Most of these people have never been involved in the gallery scene or never been able to show their work off,” Biggard explains. “They are just so excited to be a part of something, and the stuff I’ve been seeing from people, I just can't wait to have everything together in one place.”

When the exhibitors do come together for the popup-style event on August 3rd, 17th, and 31st, they will bring with them works across a diverse range of media.

“We’ve got people who make jewelry, clothing, glass blowers, painters and performance artists,” says Biggard. “It’s really the diversity of the work that’s the theme.”

As diverse as the work on display in the show will be, the exhibitors themselves hail from various disparate walks of life—everyone from nurses to dog walkers, printmakers to salespeople, as Bennett explains. In addition to the work shown during the recurring weekend events, each artist in Bazaar Ritual will have the opportunity to display one piece in Global Gallery throughout the month of August. Artists will keep 100% of the proceeds sold throughout the month and during the weekend events.

Along with providing a platform, the Bennett and Biggard hope that Bazaar Ritual will serve as a networking hub where creatives can meet and form collaborations of their own. Response from artists interested in taking part has already been building organically, with those involved telling their friends, those friends bringing more friends, and so on.

In addition to the prospect of hanging out with artists and perusing the exhibitions, the organizers of Bazaar Ritual have a number of surprises in store for attendees. Food trucks will be on hand, as well as live local music on Global Gallery’s spacious patio.

Though Bennett and Bigard are working diligently to bring this fledgling event to fruition, the two seem calm in the lead up to the show. Their artist-first approach lends a communal feel to the event, with creatives joining forces to put on an organized yet laid-back experience that shirks the corporate mold of some traditional gallery settings.

“We’re trying to do what art is meant to do and bring people together,” says Bennett. “We’re trying to bring together as many friends and strangers as we can—motleys and misfits alike.”

Global Gallery is located at 3535 N High St, in Clintonville. You can visit Bazaar Ritual there from 1:00 PM to 8:00 PM on the 3rd, the 17th, and the 31st of August. For more information, check out @bazaarritual on Instagram.

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Arts & Culture

Arts Fest Preview: Kate Morgan, 2D mixed media artist

614now Staff




Kate Morgan began developing her ghostly, layered two-dimensional portraits after going back to school at the Columbus College of Art & Design in 2005. She already had some background in visual arts through her work in fashion and commercial photography, so the transition to drawing and painting was organic.

Morgan’s textured collages are inspired by folklore, mythology and a variety of artistic periods — especially Byzantine art. The 2011 Columbus Arts Festival Emerging Artist alum and 2019 exhibiting artist welcomes a wide array of complex themes into her pieces — including symbolic, cultural, historical and spiritual themes — while utilizing layers of vintage paper and original drawings to create visual depth and a sense of mystery.

Her pieces are purposely vague, leaning toward more minimalistic ideas to allow for wider interpretation by audiences. Largely her art depicts the female form, with as many layers and stories to tell as that of every human being. This is done with an eclectic assortment of materials — including sheet music, German Biblical pages, newspaper and maps — to add detail in both a topical and textural sense.

And yet, Morgan still continues to look for a challenge. From venturing away from her familiar blue hues to exploring different mediums like ceramics, her work knows no creative limits.

Morgan has exhibited at the Columbus Arts Festival nearly every year since 2011. She has gone on to win two jurors’ choice awards in the 2D category at the Columbus Arts Festival, as well as sell and have work juried at other major festivals across the country. In Columbus, her work can be seen as part of the Columbus Makes Art and Donatos Pizza collaborative mural “Every Piece Is Important” at the John Glenn Columbus International Airport.

Morgan has a BFA from CCAD and currently works out of her Franklinton studio in Columbus. Experience this stunning work first hand when you visit her at booth M572 on the Main Street Bridge during the Columbus Arts Festival from June 7-9 at the downtown riverfront.

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