Connect with us

Arts & Culture

Limited Run

Quick: Picture Eddie George. He’s lowering his shoulder and trucking through middle linebackers with no regard; it’s 3-yards and a cloud of dust like the good old days; it’s him hoisting that highly coveted Heisman trophy high in the air with all of Buckeye nation rocking a number 27 jersey. Crowd chanting, EDDIE! EDDIE! EDDIE! [...]
Mitch Hooper

Published

on

Quick: Picture Eddie George.

He’s lowering his shoulder and trucking through middle linebackers with no regard; it’s 3-yards and a cloud of dust like the good old days; it’s him hoisting that highly coveted Heisman trophy high in the air with all of Buckeye nation rocking a number 27 jersey. Crowd chanting, EDDIE! EDDIE! EDDIE!

Now, you’ll be required to hold your applause until the end.

But after that cloud of dust settled and the football career came to an end, Eddie George found his ways to stay in the spotlight. George has found some TV spots with Guy Fieri and The Rock, and even secured a few roles in feature films such as The Game Plan and Into The Sun, but it’s the live stage where he’s truly been training this last decade, playing the lead in Othello and Julius Caesar at the Nashville Shakespeare Festival.

Oh, and when he isn’t soaking up the camera lights in Hollywood or wherever else, you can find him working as a college professor, or as a financial advisor, or helping operate and run the small-business he owns. Yup, just like in football, it takes an army and a half to halt the versatile George.

Now with some experience under his belt, a few acting roles out of his way, and confidence building after a few years of theater roles in his adopted hometown of Nashville, George is ready to showcase his wide variety of talents in his newest role of Billy Flynn in the Broadway production of Chicago.

But before he and the cast take over the Palace Theatre February 6-11, we picked his brain about past roles, his current role, and how he can’t get the theater out of his head.

What has been your favorite show to be a part of? Working with every show I’ve been on is great. Working with Shooter or The Rock with Ballers, so far they all have been pretty interesting. I think each one was a different type of experience than the other. Not good or bad either, it just was what it was at the time.

If you had to choose between starting a reality TV show with either Dwayne “The Rock” Johnson or Guy Fieri, who would you choose and why? That’s tough because I don’t like reality television, so I’d probably lean more towards serious TV and working with The Rock. You know, he’s People Magazine’s Sexiest Man [Alive], he’s garnered a lot of attention, he’s the No. 1 actor of our time right now, box office-wise, and so yeah, I would definitely pick The Rock because there would be probably a lot of areas where you would see me on different platforms. So selfishly, I pick The Rock.

In Chicago, you play Billy Flynn, who is very much considered a villain in the play. How has it been switching personas from the beloved athlete to playing a smooth-talking con man? Some ways, Billy does play somewhat of a hero role. His demeanor and takes aren’t necessarily righteous or forthright—he’s sinister, he’s conniving, and he manipulates—but I think it comes from a genius thread. I guess it’s searching for the truth to why he does what he does. I hope it comes off as authentic and that’s what comes forward: the authentic parts of who he is—so when I’m in this world everything I do is justified, all my actions are justified with motive.

What’s been the most difficult thing about playing him? Is it, like you said, just trying to understand his mindset? The songs, for me. [Chuckles]. He’s very slippery, always thinking 5-6-7 steps ahead … you know, he’s a chess player. He knows the system, he’s been down this road, and he’s well-seasoned. So I think the challenging parts are trying to make it fresh. To not rely on the last performance or take it for granted. It’s constantly allowing the story to grow and evolve and be its own show versus other shows I’ve done. There’s always room for fresh moments or a different interpretation or perspective from what you see.

So have you tried to put a personal spin on Billy or have you tried to play it true to the original character? I try to do some personal things. You know, it’s my interpretation of some of the views. I definitely try to find those little nuances to create a totally different character than I ever knew. And that means really allowing that personality to come out times 10.

Have there been any songs that you just can’t get out of your head since the production started? Oh God, yes. And some of them aren’t my songs! [Chuckles] … I love doing “All I Care About Is Love.” It’s a grand entrance. It lets you know who I am. But, every song in Chicago is so good and so well-written. They are iconic songs, they have everlasted—they are timeless. Once you’re in musicals, you find things in songs, not even your own songs, that you love and [it] sticks with you.”

millennial | writer | human

Continue Reading

Arts & Culture

Arts Fest Preview: See BalletMet live outdoors!

614now

Published

on

SPONSORED

BalletMet’s Friday night’s headline performance at 8:30 p.m. at the Arts Festival is sure to be a highlight of weekend. One of the nation’s top 20 largest professional companies, BalletMet consists of dancers hailing from across the nation and the world and boasts a premiere academy for aspiring professional dancers, one that’s been recognized as an institution of local and national stature.

Since 1978, BalletMet has brought incredible dance to theaters in Central Ohio and beyond and their commitment to bringing dance to the Columbus community, especially in underserved areas, is unparalleled.

Art of War Photo by Jen Zmuda

From in-school programs to theater field trips, scholarships and free performances, the company is dedicated to making dance accessible to all. More than 10,000 children attend the company’s Morning at the Ballet field trip performances each year. And thanks to a grant from PNC Arts Alive, BalletMet’s second company, BalletMet 2, has performed at free events at the King Arts Complex, Franklin Park Conservatory and more, throughout the 2018-19 season.

BROUGHT TO YOU BY

In addition to the free performance at the Arts Festival BalletMet will perform at Dance on Dakota on Friday, May 10, from 5 to 8 p.m. in Franklinton. This performance is also free.

Dance on Dakota, co-hosted by Franklinton Arts District, is part of a weekend-long block party in Franklinton and features free food and drink and a collaborative performance with TRANSIT ARTS. The event will take place at Dakota Ave. and Town St.

Dancers Grace Anne Powers and William Newton Photo by Jen Zmuda

BalletMet’s Columbus Arts Festival performance will include a mixed repertoire of shorter pieces from its past productions and will be preceded by music from DJ Donnie M. of Damn Girl.

And if these performances capture your interest, the company recently announced its 2019-20 season, which includes ALICE, based on the later stories of Alice’s Adventures in Wonderland author Lewis Carroll, Twisted 3, a collaboration with the Columbus Symphony and Opera Columbus, and, of course, The Nutcracker.

More info at www.balletmet.org. For all your Arts Festival details visit www.colubmusartsfestival.org

Continue Reading

Arts & Culture

Arts Fest Preview: You wood hate to miss local crafter

614now

Published

on

SPONSORED

Woodworker and Art Makes Columbus featured artist Devon Palmer has been working with his hands since his upbringing in northeast Indiana. His mother a wood carver and his father a carpenter and cabinet maker, Palmer took a more mechanical route by obtaining his pilot’s license and attending Purdue University to pursue a career as an airplane mechanic.

But as his career transitioned from maintenance to the tech field, he yearned to work with his hands again. Originally he considered pottery, before a class he planned to attend got canceled. But a trip home the weekend before Thanksgiving led to his father introducing him to woodturning.

That was more than 15 years ago. And though he is largely self-taught, Palmer also credits local woodturners from the Central Ohio Woodturners (a chapter of the American Association of Woodturners) for taking him under their wing. In 2005, he opened his first studio just north of Downtown, and in 2007 he began teaching woodturning at Woodcraft Columbus.

BROUGHT TO YOU BY

Today, Palmer does a bit of mentoring of his own. He teaches classes in blade and bowl turning, resin cast pen turning and more advanced projects like hollow vessel turning in his studio at the Idea Foundry. He is also adding a series of LGBTQ date night pen turning classes to his growing schedule of classes, shows and demonstrations.

Palmer says his work represents “family and connectedness” with work ranging from salad bowls and laser engraved pens to funerary urns and ornaments. The details in his hand-crafted tableware and home goods manage to invoke a warm sense of community, fellowship, and hospitality.

Devon Palmer works in internet technology and is also a pianist and ordained minister.

Make your own wood turned pen with Devon Palmer at the Columbus Arts Festival, June 7-9, at the Big Local Art Village located at the Festival’s Franklinton entrance. Learn more about Devon at www.columbusmakesart.com/stories/devon-palmer and get all your Arts Festival details at www.columbusartsfestival.org

Continue Reading

Arts & Culture

Arts Festival Preview: Dr. E uses voice to overcome adversity

614now

Published

on

SPONSORED POST

Dr. E, singer-songwriter and author Cleveland-born singer-songwriter Dr. Elaine Richardson — known by her stage name Dr. E — has used her voice to detail the incredible circumstances she encountered while overcoming great adversity. Born to a musician father and Jamaican immigrant mother, Dr. E begun tapping into her talent while singing in church, her school’s choir, and in girl groups.

Dr. E continued to sing despite the difficult path she faced. As a teen, she became a sex trafficking victim and fell into addiction. In her recovery, she pursued higher education at Cleveland State University and Michigan State University. During this time Dr. E also began performing as the frontwoman for a number of cover bands and placing her original music on various TV shows. She recorded her first album, “Elevated,” in 2010.

Dr. E’s introspective song lyrics reflect the often difficult process of healing while defending those who share her experiences or face exploitation and discrimination in other ways.

BROUGHT TO YOU BY

On her sophomore album, 2017’s “Songs for the Struggle,” she gives a soulful retelling of her journey from sex trafficking survivor to university professor, Ph.D., author and advocate. Blending elements of soul, rock, funk, rhythm and blues, and jazz, Dr. E sings with an astonishing amount of hope and positivity; Though the album details the trauma and exploitation experienced by Dr. E during her teen years, her power message ultimately expresses affirmations of self-love and acceptance employed with an equally powerful and joyous voice.

Dr. E is currently a professor of literacy studies in the College of Education at The Ohio State University. She has written a number of books on African American literature as well as a memoir, “PHD to Ph.D.: How Education Saved My Life.”

See Dr. E. perform at the Columbus Arts Festival, Saturday, June 8 from 12:30 to 1:30 p.m. on the Big Local Stage on Rich St.

For hours, artist listing and all Festival information go to www.columbusartsfestival.org

Continue Reading

No mo’ FOMO

Missing out sucks. That's why our daily email is so important. You'll be up-to-date on the latest happenings and things to do in Cbus + be the first to snag our daily giveaways

Shop Now!

The Magazines

X