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Feature Act: Nickey Winkelman

Whether they be headliners in their own right, or just those setting new comedy standards in Columbus—from improv to stand-up to everything in between—(614) is covering the people handling the city with humor. This month: Nickey Winkelman, Shadowbox Bistro showrunner, who keeps reinventing what live comedy can mean to a hungry Columbus audience. Case in [...]
614now Staff



Whether they be headliners in their own right, or just those setting new comedy standards in Columbus—from improv to stand-up to everything in between—(614) is covering the people handling the city with humor.

This month: Nickey Winkelman, Shadowbox Bistro showrunner, who keeps reinventing what live comedy can mean to a hungry Columbus audience. Case in point: this month, the mom to be will put herself and her unborn child on the hot seat, letting local audiences and comics take aim with a roast—which far as we can tell is the first time a fetus has gotten top billing at a local show. How could we not wanna know more?

What was little Nickey Winkelman like? How would you stereotype your middle school self? I’d characterize myself as an awkward middle schooler, but who wasn’t awkward in middle school? I certainly wasn’t in the popular clique. I wasn’t a cheerleader or an athlete or a brainy kid. I did art and theatre. I wasn’t pretty, and my family didn’t have enough money for me to wear all the trendy clothes, so I’d get picked on for being weird or poor. I had a nickname that some mean kids gave me: “Mustache Girl.” I think the nickname just about sums it up. But all of that continued to motivate me to try to make people laugh. I thought, if I can make people laugh, people will like me, and I’ll have friends.

Do you see your material changing as your child gets older? Yes and no. I’m sure the kid will end up providing me with material. I’m a comedian who draws inspiration mostly from my own life, and this is the biggest life change I’ve had. There’s no way I’m not going to write about it. However, I don’t think I’ll censor myself on stage just because I’m becoming a parent. My material has gotten less crass as I’ve gotten older, but that’s a choice I made for myself as I grew and changed as a performer, not a choice I made because I don’t want my kid to hear it one day. My mom has heard every joke I’ve ever told, and someday my kid will too (when he’s old enough).

Who needs to laugh more? Extremists. The extreme right and the extreme left. Relax. You’re not always correct, and that’s okay. Learn to laugh at yourself when you’re wrong.

Dating a comedian—do or don’t? This is going to sound like I’m avoiding the question, but it depends on the comedian. Comedians are usually complicated and emotional people. Some of us know how to handle being that way and some of us don’t. I think when choosing to a person to date (regardless of what they do in life) it’s about finding someone who has a good relationship with themselves and their own mental health. Personally, I’d much rather date someone who is emotional and complicated but knows how to handle it, than date someone who seems to have it all together but doesn’t know what to do when they feel sad. On the other hand, there are some comedians who use the stage as therapy and that’s dangerous. Get actual therapy. Ultimately, you’re up there for the audience, not for yourself. The stage is a great place to talk about hardships in life in order to reach people who can relate to the problems you’ve been through, but it’s not a place to try and work through your problems in real time. That gets messy.

Tell me about your first time on stage. Well, I’ve done theatre as long as I can remember, so I’m not sure what was my first time on stage. The first time I did stand-up on stage was in 2005 in Santa Barbara, California. I was attending UCSB and participated in an “open stage night.” An open mic night is usually all comedians, but this was all kinds of acts: poetry readings, singer-songwriters, monologues… I think there was a juggler.  I was the only comedian on the show, so people loved me. I thought I was God’s gift to comedy, but really the audience just needed a break from sad love songs played poorly on acoustic guitars, so they were willing to laugh at anything. I got a healthy dose of reality the first time I did a real open mic night at a comedy club.

What’s your favorite show you’ve ever put on at The Backstage Bistro? Time Machine. It’s a comedy show meets history show, and it is my passion project. I created and produce the show, but I collaborate with other comedians and performers who help write and add to it. Each show is themed around one year in history, and all of the performances (be it stand-up, sketch comedy, dance, songs, etc) are based on events or pop culture from that year. For example, in the 1999 show we had sketches spoofing The Matrix and Fight Club, and in the 1984 show, we re-enacted the 1984 WWF match between The Iron Sheik and Hulk Hogan. I got to play The Iron Sheik. That was a dream come true.

Who are your favorite Columbus acts? Hmm, it seems unfair to name fellow comedians without sounding like I’m just picking out my friends, so I’ll pick out some of my favorites who are great performers in other artistic fields: Jamz Dean is one of my favorite drag performers, Cherie Blondell is one of my favorite burlesque dancers, Erik Tait is one of my favorite magicians, and Gabriel Guyer is hands down my favorite singer and bass player. Okay, to be fair, I still just named a bunch of my friends and my baby’s father, but the endorsements are honest nonetheless.

What’s the best local comedy show you’ve ever been to, that wasn’t your own? “Hot Dog! A Comedy Show Slash Hot Dog Eating Contest.” This is a show produced by Dustin Meadows of Whiskey Bear Comedy, and it’s the most ridiculous thing I’ve ever seen (in a good way). I can’t really describe it—you just have to see it for yourself—but it is always a riot, and the best part is that it’s funny whether the comedian does well or not. It’s one of those shows that the first time I saw it I thought, damn, why didn’t I think of that. It’s a brilliant idea.

Do you have any recurring dreams? Lately, all my dreams are about peeing. Then I wake up and have to pee… about fifteen times a night. Thanks, pregnancy.

Who is one person you know that would be great at comedy? My unborn kid. Obviously.

The Roast of Baby Winks is scheduled for January 23 in the Shadowbox Bistro. For more, visit

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Arts & Culture

SoHud Collective provides fresh, stylish open-air experience




The fear of ever going back inside of a building that’s not your home has become a general widespread worry. Open-air markets and garage sales are going to be a hot commodity this summer, and one new company has already taken a proactive and stylish approach to fill that need for consumers.

SoHud Collective is one of the first Columbus-based companies to corner this emerging market. The boutique pop-up shop, founded on the principle of friendships formed around fashion, art, and plants, hosted their first event on Saturday, May 23. 

And oh yeah, free lemonade.

An assortment of deep vintage finds at an incredibly reasonable price will leave you walking away with at least one purchase. The first installment took place on the corner of Hudson and Summit, across the street from Evolved Body Art.

The idea of a pop-up shop at this corner may be a new idea, but the format has been around for ages. Why SoHud Collective is important right now boils down to the consumers’ desire for an out-of-house experience and the employees’ obvious shared compassion for each other and thrifting.

“Fashion has been the glue to our friendship,” said the SoHud Collective, made up of Taylor, Connor, and Hayden. “We thrift together, we borrow each other’s clothing, and we send each other pictures of our outfits before we leave the house.”

A company formed on friendships in the SoHud region, the group behind this passion project has a specific goal in mind when passing down their used goods: keep the SoHud community stylin’. 

“Some of us have lost our jobs due to Covid-19, and this was a great way to keep our spirits up and redirect our attention to something that truly fulfills us,” the SoHud Collective said.

The items featured in the monthly pop-ups are passed down from an assortment of thrifting havens. Closets. Basements. Other thrift stores. Grandmas.

From shoes to shirts, Atari systems to board games, SoHud Collective is elevating the thrifting experience in the time of coronavirus.

“Currently, our focus is on elevating our display and merchandising technique to really give the people an experience and a fierce outfit and home decor to create that perfect photo for Instagram, the SoHud Collective said.”

SoHud Collective would like to thank Evolved for letting it use its parking lot for May’s edition of the pop-up. With a goal to have an installment of SoHud Collective once a month, the pop-up shop will return to the same location on June 27 (11 a.m. until 7 p.m.) and 28 (11 a.m. until 4 p.m.). 

A charity table where all proceeds will go to clothing the homeless LGBTQ youth in Columbus will be present as well. 

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Arts & Culture

Loop Daddy invades Columbus with first-ever drive-in tour




The return of live music is going to be one of the trickiest industries to transition back into business as usual, if that will ever be the case. We’ve seen people getting creative, building concert stages within their own homes via live streaming. Some have participated in virtual festivals, probably the sector of live music to take the biggest hit.

But when an industry made up of innovative creatives always trying to come up with the next big idea is faced with incredible hardships, they respond with quick-witted imaginative solutions.

One of the first trends that popped up in the revolution of bringing back live music was the implementation of drive-in lots. Luckily for Columbus, the darling of the internet DJ scene Marc Rebillet aka Loop Daddy will be taking his first-ever drive-in tour through the Buckeye state in mid-June.

Captivating audiences with his participatory DJ scratching and immature antics, extremely goofy sex appeal, and sleazy porno stache, Rebillet was an act poised for a breakout summer before the pandemic shut music concert venues down. If you have access to a car, though, you’ll still have a chance to catch the wild virtual sensation.

On June 14, Rebillet will be pulling up to the South Drive-In for the third stop of his Drive-In Concert Tour. Rebillet will also be showcasing short films as part of his drive-in experience.

As far as sound is going for these events, a lot of drive-ins are opting to go the radio transmission route to encourage people to stay inside of their vehicles.

A very few grouping of tickets remain, which include three-person and four-person car passes. Tickets are running $40 per head (plus additional fees), which seems to be the average across the new wave of drive-in concerts. Two-people/one-car tickets have already sold out.

If you don’t want to miss out on this unique opportunity, act right now. Tickets can be purchased at:

Social distancing guidelines are outlined at the point of purchase.

The South Drive-In is located at 3050 S. High St. Doors open at 8 p.m. with the show beginning at 9 p.m. Attendees need to arrive before 8:45 p.m. A portion of ticket sales will be donated to the Coronavirus Relief Fund.

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Arts & Culture

Live music allowed again in restaurants and bars: how will these establishments respond?




A major step forward in the return of live music in Ohio took place over the weekend. The Ohio coronavirus guidelines were updated to reflect the new COVID-19 Dine Safe Ohio Order.

The order outlining the guidelines on live music in restaurant and bars is as follows:

Musicians and bands may perform in restaurants and bars as long as the individuals who are performing maintain social distancing of at least 6 feet from all other people including, but not limited to, fellow performers and restaurant and bar patrons and staff.

DJ's are included along with musicians and bands in the order.

Something that was on the mind of a lot of musicians with the reopening of restaurants and the indefinite closing of large venues was how restaurants and bars were going to respond to the immediate venue demand. Places like Woodlands Tavern that already have an infrastructure for live music will have no problem complying with the updated order, but will restaurants and bars that depended on jukeboxes before pivot to a live music model?

With a lot more space available in restaurants due to capacity cuts, does this leave more room for a live music set up? Or will restaurants have to get rid of even more tables if they want to make room for a performer?

The thought of live music in a venue setting is alone enough to get excited about. How these places that now have the ability to host live music execute freeing up space for a band to set up or a DJ to bring his rig in while practicing social distancing is what makes this situation a tricky one.

Not being able to get down in a MojoFlo Soul Train line will be pretty tough, but it’s a tradeoff we’ll have to accept for the return of live music.

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