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Girls Just Want Societal Autonomy

It’s the holidays and your conservative uncle is at it again. He’s going on-and-on about how women are flooding into politics and are becoming a larger-represented group in areas like Congress, the House of Representatives, and the Senate. His sentiment is simple: women hate men, especially feminists, and they’ll stop at nothing to take down [...]
Mitch Hooper

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It’s the holidays and your conservative uncle is at it again. He’s going on-and-on about how women are flooding into politics and are becoming a larger-represented group in areas like Congress, the House of Representatives, and the Senate. His sentiment is simple: women hate men, especially feminists, and they’ll stop at nothing to take down every man.

But what do feminists actually want? Maybe I’m not the best person to answer this. As a man, my life is pretty simple. I can go outside wearing any outfit I want and no one, besides maybe my mom, is going to say anything to me. If I want to sit in bed and eat a large cheese pizza by myself on Saturday, my roommates won’t bat an eye or tell me that it’s going to go straight to my thighs. And when the plumber comes to fix my toilet, we talk about sports and the weather—there’s no grazing eyes or unsolicited flirtations.

These are just the things that I, as a man, don’t have to endure. But for women, these are day-to-day experiences. Women are presented with a constant struggle of, “I had a long week, but I can’t go to work without my makeup on—” because everyone in the office will surely ask, “Are you okay? You look tired.” And heaven forbid a woman sit in bed and binge Netflix while they gorge on junk food. You *know* where all those carbs are going, right?

As you can see, it’s tricky waters for women. For every potential voice pushing forward for progress, there seems to be a louder one pushing against. But treading these waters is something some women are used to, and when it comes to the authors of “New Erotica For Feminists: Satirical Fantasies Of Love, Lust, & Equal Pay,” they are experienced.

“We take the literal view of feminism as all people should be equal, We’re not trying to create a society where men don’t exist. It’s just literally like, ‘treat women like humans.’”

“New Erotica For Feminists” is not an erotica novel. Readers will experience the same stereotypical situations you’d find in erotica novels, or maybe even pornos, but the story is told much differently. The book uses those erotic yet corny situations—the plumber stops by the house while you’re alone to “lay some pipes”—and juxtaposes them with moments that shed light on modern-day feminism—the plumber and the protagonist happily walk to the bathroom where the plumber lays down new copper piping and the two talk about the upcoming midterm elections. Instead of an overly and ridiculously sexualized situation where the woman is but a sex pawn for the story, the book uses these scenarios to show that feminists aren’t after some sort of hierarchy, rather, sometimes they just want some new copper pipes and a good conversation with another human being.

“We take the literal view of feminism as all people should be equal,” co-author Brooke Preston said. “We’re not trying to create a society where men don’t exist. It’s just literally like, ‘treat women like humans.’

The book was a collective effort of four different satire writers: Caitlin Kunkel, Fiona Taylor, Carrie Wittmer, and Brooke Preston. Coincidentally, the collective effort was actually more of a cloud effort—the four writers never actually met in a room to write the vignettes until the weekend they finished the book. Their meeting spot? Brooke’s hometown of Columbus, Ohio.

“He calls me into his office and closes the door… to promote me. He promotes me again and again. I am wild with ecstasy.”

The women were already experienced writers because of the website they co-founded, The Belladonna, a comedy and satire site with women and non-binary authors. In the book, the women explain that the idea sprang from them all goofing off in their group chat while editing some things for the website. It started with trying to devise a scheme that would get LaCroix Sparkling Water to deliver them cases with the intent to obtain a “corporate sponsorship.”

“And hey, while we’re speaking these desires into the universe, why not send, say, Tom Hardy to make that delivery?” —excerpt from the ‘Foreplay’ of “New Erotica For Feminists.”

After a shorter version of the book went viral in early February 2018 on McSweeney’s Internet Tendencies, a humorist website that’s been around since 1998, the four women did some legwork, secured a book deal in the United Kingdom, and eventually secured a deal in the States as well. Believe it or not, the entire process—from contracts to writing to publishing—all happened in 2018.

“He calls me into his office and closes the door… to promote me. He promotes me again and again. I am wild with ecstasy.” — vignette from the original McSweeney’s story.

While on the surface, reading this book might create the illusion that these writers are professional comedians with touring careers, Brooke said it’s not as it seems. She said she lives in “the shadows of suburbia,” or in other words, she’s a wife and the mother of a five-year-old. For her and the other authors, the joy of this book is in satire writing.

But why erotica? When Brooke told her parents about the book deal, she was quickly met with, “Brooke? Are we going to be able to show our face in church?” But, as the book says, erotica offers the chance for the reader to imagine themselves as someone else, and this book is no different in that sense. Sometimes people’s reaction to that is good, and other times people are a bit more reluctant.

“For the most part, people get it. [When I was in] New York, people were like, ‘Yeah, no I get it. I read the subtitle,’ ” Brooke explained. “But here the reaction I usually get is, ‘Oh, my!’ Usually, I’m like “stop clutching your pearls, it’s fine! It’s all tongue-in-cheek!”

Brooke said the themes in the book were meant to be universal, and that included steering clear of being too political.

“We felt like the book was political in itself just because all of those things do affect women on every level. We do touch on health care, paid maternity leave, and all those things, but we didn’t want to put Trump in our book.”

There’s many reasons for that, but most notable is the idea is that anyone should be reading this book—regardless of party lines. Yes, the book itself is progressive and your aforementioned conservative uncle will probably not agree with everything therein. But what the book does do is open the eyes of people who might not realize their actions have implications.

“It’s like you walk up and press the button and a man walks up behind you, checks, and presses it again ‘just to make sure’ that it’s been pressed. It’s just like, ‘Cool! You’re an adult, you know how to use elevators!’,” Brooke explained about the elevator vignette in the book. “It’s just a small subconscious thing, but when it happens to you all the time, you’re just like, ‘I’m not a child! I know how elevators work! And if it’s not working for me, it’s not going to work for you.’ ”

So maybe this book won’t be the driving force for a change in conversation for the holidays this season, but what it might do is change the way we go about these conversations. Instead of your uncle bitching up a storm about too many women in politics, he might respectfully accept your point of view as another human being and engage in a political discourse that is beneficial
to society.

New Erotica For Feminists is available on neweroticaforfeminists.com. You can also find more work from the authors on their website, thebelladonnacomedy.com.

millennial | writer | human

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Q&A: Columbus artist Mandi Caskey wants to bring us together

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Photo by John Thorne
 

Context plays one of the most important roles in our understanding of art. For instance, if you saw the unveiling of Columbus artist Mandi Caskey’s latest masterpiece, you’d probably equate the message to the daily protests that have been held in Columbus over the past week.

When the mural on the abandoned highway overpass near Scioto Audubon Metro Park was started, that wasn’t the case. It was a message meant to distract us from the hardships that COVID-19 flooded our lives with.

Now, to some people, the mural’s message, which stretches over 400 feet, takes on a new meaning.

(614) caught up with Caskey to find out the inspiration behind the piece and how she feels about subjectiveness in art. Check out a brief Q&A below and some incredible aerial footage from photographer/videographer John Thorne.

Obviously a project this big can't be tackled alone. Who all helped bring this idea to life?

This project was originally an idea that I wanted to do secretly aka illegally, but my business partner came up with a better idea. And that was to get other artists involved and pay them during the stay-at-home order. 

The whole time we honestly didn’t think we would be able to get approval on all the permits we needed, but thanks to Lori Baudro, over a month and a half we got permission and permits from the Department of Public Service, ODOT, and the Arts Commission. We were honestly in shock. 

When it came down to businesses, we started working with Tim Cousino, who’s an architect. He figured out all the measurements we needed. From there we had to get our hands dirty and clean the surface of the bridge, which had five 9-foot around dirt piles that we shoveled off.

Once the surface was prepped and ready to go, we had Jacob Bench come out. He’s an engineer that helped translate all of Tim’s measurements. The project would have been 10 times more difficult without him! 

Through the process, we slowly grew the team. David Greenzalis is my partner in crime so he was there from the beginning. Katie Bench, Hawke Trackler, Lisa Celesta, Ariel Peguero, Chris Blain, Patrick Cardwell, Eric Terranova, Sam Rex, and Justin Paul, who has taken the amazing footage everyone has seen. All of these people are passionate, hardworking, and just awesome to be around. I was excited when we all came together. 

From what I've read, it seems like your idea for this was green-lit very quickly and easily. Why do you think people responded to the idea in your message so strongly?

There’s a combination of reasons everything moved so quickly (in terms of government) ha-ha. Part of it was the fact people were at home; they wanted something to get excited about. This was a project people could easily get geeked out about: 400-foot long mural on the bridge that has been abandoned for 10-plus years! I think they just wanted to see if it could happen. Also, the bridge will be torn down in a year or so; this means the mural doesn’t need any upkeep. The fact it was temporary made it an easy Yes for people. Still in shock this all worked out so smoothly.

What roadblocks did you run into during the process of creating the mural?

A big roadblock that no one could help was the weather. Man, was it a beast to work with. When we first started prepping the bridge, it was raining and around 40 degrees outside. We were in coats with gloves for half of the project. Then it rains for almost two weeks straight, which pushed back any painting we wanted to do. The days when we did get to work was easily 95 and scorching! We were all burnt to a crisp! It was stressful but fun working with this crazy Ohio weather.

How do you think art helps people during times of unrest and uncertainty like we're in right now?

Art is truly the bridge between thoughtful conversations and action (pun intended). Public art specifically can be the most impactful since it’s meant to be viewed by everyone. There’s no fee to look at it, no dress code, no need for art knowledge, just acceptance and appreciation are necessary. 

Art in general helps people look outside of their own personal bubbles. We can see into someone else’s mind for a split second and become apart of the art and experience. I think we forget that art is a living representation of us, but I hope through this unsure time we start to remember why humans started painting in the first place.

I think there's something to be said about how the mural was made on the basis of the coronavirus pandemic and bringing people together and now it can take on the meaning of the social change that needs to happen in this world. What are your thoughts on that?

Originally the mural was made because I personally felt alone and knew so many other people were feeling the same way during the stay-at-home orders. Once the project actually started to become a real thing, “we are stronger together” became more about the people who were working together; so many different types of backgrounds and artists. People from different periods in my personal life, all coming together and making something epic. 

When it was all said and done, the words are made for everyone, from any background, race, gender, far and wide. It’s a message that I hope makes people know I’m with them, that no matter the craziness in the world, someone’s got your back.

 

 
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Columbus artists employed to paint boarded-up downtown for #ArtUnitesCbus

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The Columbus arts community has really stepped up to the plate when it comes to trying to unite and inspire during tumultuous times. One of the latest efforts from visual artists around the area includes CAPA and Greater Columbus Arts Council (GCAC) latest partnership, #ArtUnitesCbus.

“When I do these projects, I try to remember to have fun and enjoy my loved ones. Even though it’s a bad time, there’s always room for love,” visual artist Hakim Callwood said.

The creative venture will exist to employ around 20 Columbus visuals artists. Their job will be to paint murals in place of the broken windows at the Ohio Theater and GCAC office. 

The art installations are expected to be finished by the end of the week.

“#ArtUnitesCbus is just one small way the arts community is trying to help. These murals are not the answer, simply a message that we ALL can, and must, help heal our community,” said Tom Katzenmeyer, President & CEO of the Arts Council, in a GCAC press release on Monday

Now more than ever is an extremely important time to give our community artists a platform. 

“The Columbus artists are more of a family than I think people understand,” Callwood said. “Whether we all talking every day or hanging out together; it doesn’t matter. When there’s times of need we always use our talents to support.” 

Check out the progress of their murals below.

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Weekend Roundup: 5/29 – 5/31

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With Ohio slowly starting to fully reopen, initial in-person gatherings have trickled into our news feeds.

Below are a few things you can check out over the weekend if you’ve been itching to leave your house and are capable of following COVID-19 guidelines.

Friday

Fair Food Weekend @ Oakland Nursery

One of the most disappointing summertime cancellations was the axing of the Ohio State Fair. For those still wanting to get their elephant ears or deep-fried oreo fix, Chester Foods will be bringing a pop-up food truck to the Oakland Nursery. Corn dogs, funnel cakes, fried oreos, fresh-cut fries, and lemonade shake-ups will all be on the menu. Fair food will be set up on both Friday and Saturday.

Time: 12 p.m. - 8 p.m. | Address: 4261 W. Dublin Granville Rd.

Saturday

Sonic The Hedgehog/Jumanji: The Next Level and The Hunt/The Invisible Man @ South Drive-In

With movie theaters in Ohio still closing their doors, the drive-in revival has been sweeping the state, nation, and world. Once drive-ins were given the go-ahead by DeWine, South Drive-In began to provide the double feature experience to eager moviegoers. Admission is $9.50 on Friday/Saturday and $7.50 on Sunday for those 12+, $2 for ages 5-11, and free for those under 4.

The showings for this weekend are as follows: 

Screen 1:

  • 9:05 p.m. Sonic The Hedgehog (PG)
  • 10:53 p.m. Jumanji: The Next Level (PG-13)
  • 12:56 a.m. Sonic The Hedgehog (Friday/Saturday only) 

Screen 2:

  • 9:25 p.m. The Hunt (R)
  • 11:05 p.m. The Invisible Man (R)
  • 1:09 a.m. The Hunt (Friday/Saturday only)

Check out the South Drive-In website to see what social distancing guidelines need to be followed.

Time: Arrive 1-2 hours prior to first showing | Address: 3050 S. High St.

Sunday

Reggae on the Patio @ Skully’s Music-Diner

If you’re in search of a relaxing Sunday, look no further than Skully’s. The music venue/bar will be opening its patio for those to have socially distance hangs, drinks, and wings. Skully’s will be setting the mood perfectly for a chill Sunday by spinning reggae music all night long. Get yourself out of the house and go catch some island vibes.

Time: 7 p.m. - 2 a.m. | Address: 1151 N. High St.

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