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Hamilton, Aladdin slated for Cbus marquee lights this CAPA season

614now Staff



Announcing….for the first time in Columbus history….the arrival on the Broadway musical sensation….HAMILTON!!!

This four-show series will be the anchor of the 2018-19 Columbus Association for the Performing Arts PNC Broadway in Columbus season. The stellar season also includes productions of Disney’s Aladdin, The Play That Goes Wrong, Finding Neverland, the 2017 Tony®-winning Best Musical Revival Hello, Dolly! starring Broadway legend Betty Buckley as Dolly Gallagher Levi, and the 20th anniversary touring production of RENT.

See more details about the show below, courtesy of CAPA:

Disney’s ALADDIN

October 24-November 4, 2018 @Ohio Theatre (39 E. State St.)

Discover a whole new world at Disney’s ALADDIN, the hit Broadway musical. From the producer of The Lion King comes the timeless story of Aladdin, a thrilling new production filled with unforgettable beauty, magic, comedy, and breathtaking spectacle. It’s an extraordinary theatrical event where one lamp and three wishes make the possibilities infinite. See why audiences and critics agree, ALADDIN is “Exactly What You Wish For!” (NBC-TV).


January 29-February 17, 2019 @Ohio Theatre (39 E. State St.)

HAMILTON is the story of America’s Founding Father Alexander Hamilton, an immigrant from the West Indies who became George Washington’s right-hand man during the Revolutionary War and was the new nation’s first Treasury Secretary. Featuring a score that blends hip-hop, jazz, blues, rap, R&B, and Broadway, HAMILTON is the story of America then, as told by America now.


March 19-24, 2019 @Palace Theatre (34 W. Broad St.)

A re-imagining of Puccini’s La Bohème, RENT follows an unforgettable year in the lives of seven artists struggling to follow their dreams without selling out. With its inspiring message of joy and hope in the face of fear, this timeless celebration of friendship and creativity reminds us to measure our lives with the only thing that truly matters—love.


April 9-14, 2019 @Palace Theatre (34 W. Broad St.)

What would happen if Sherlock Holmes and Monty Python had an illegitimate Broadway baby? You’d get The Play That Goes Wrong, Broadway and London’s award-winning smash comedy! Called “A gut-busting hit” (The New York Times) and “The funniest play Broadway has ever seen” (HuffPost), this classic murder mystery is chock-full of mishaps and madcap mania delivering “A riotous explosion of comedy” (Daily Beast).


May 7-12, 2019 @Ohio Theatre (39 E. State St.)

Tony Award-winning Broadway legend Betty Buckley stars in Hello, Dolly!, the universally acclaimed smash that NPR calls “the best show of the year!” Winner of four Tony Awards including Best Musical Revival, director Jerry Zaks’ “gorgeous” new production (Vogue) is “making people crazy happy!” (The Washington Post). Breaking box office records week after week and receiving thunderous raves on Broadway, this Hello, Dolly! pays tribute to the original work of legendary director/choreographer Gower Champion—hailed both then and now as one of the greatest stagings in musical theater history.


June 4-9, 2019 @Ohio Theatre (39 E. State St.)

The winner of’s Audience Choice Award for Best Musical, this breathtaking smash “captures the kid-at-heart,” says TIME Magazine. Vogue cheers, “It’s a must-see you’ll remember for years to come!” Directed by visionary Tony®-winner Diane Paulus and based on the critically-acclaimed Academy Award®-winning film, Finding Neverland tells the incredible story behind one of the world’s most beloved characters—Peter Pan. 


Subscriptions range from $215-$750 per person and are on sale now at, by phone at (800) 294-1892 (Monday-Friday, 9am-5pm), or in person at the CAPA Ticket Center (39 E. State St.). CAPA Ticket Center hours are Mondays-Fridays 9am-5pm and Saturdays 10am-2pm. Six-installment, interest-free payment plan available. 

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Arts & Culture

Columbus Museum of Art opens June 23 for members; June 30 to the public

Julian Foglietti



The Columbus Museum of Art (CMA)  has announced plans to reopen in the coming week after closing in mid-March due to COVID restrictions. Though museums were allowed to open on June 10, CMA chose to hold off reopening and will instead see it’s first visitors tomorrow,  June 23, as they reopen for museum members, and to the general public next week on June 30..

To coincide with the reopening, CMA has announced multiple measures to combat the spread of COVID-19, such as significantly reduced capacity, and the introduction of timed tickets, and special hours for at-risk populations.

Tickets for the following week will be made available for sale online each Friday, and an extremely limited number of tickets will be available for day-of admission. While there isn’t a time limit to how long visitors can stay in the museum, there is a one hour entrance window assigned to each ticket. 

Visitors will be asked to socially distance while in the space, and face coverings are strongly recommended. 

Learn more here.

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Arts & Culture

Art Unites Cbus creates online gallery for keeps

Julian Foglietti



Today CAPA and the Greater Columbus Arts Council partnered to launch an Art Unites Cbus online gallery to document the works produced during the #ArtUnitesCbus initiative launched on June 1, 2020. 

The initiative worked to commision Columbus-based visual artists to decorate the plywood installed over the broken windows at the Ohio Theater and Arts Council office. 

Since its launch, many other businesses in Columbus, most notably in the Short North and Huntington Center worked with local artists to cover the boards with murals in response to the Black Lives Matter protest movement. 

With many businesses removing their boards, and repairing broken windows, the Arts Council and CAPA are working with Hines Company, and the Short North Alliance to document and preserve the murals as they are removed so they can exist to inspire future generations. 

Photos of the murals are available at, and the site will be regularly updated as more murals are documented in Columbus.

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Arts & Culture

Pride Movie Month: Tangerine




Shooting an entire movie with three iPhone 5S’ sounds like an undertaking that only a seasoned director might take on, not for someone making their directorial debut.

From a financial standpoint, it may make sense; most people have these cameras at their everyday disposal so why not utilize a device to its maximum potential if you’re spending thousands of dollars on it already? But with using a camera that fits into the palm of your hand, any auteur is going to be met with limitations.

Knowing this information going into my first viewing of Tangerine a few months ago, I thought that a movie told through this lens would sell the transgender experience short. However, I think it provided the perfect lens for those without a transgender point-of-view.

The movie begins at a donut shop, and immediately director Sean Baker throws you into the animated lives of transgender sex workers Alexandra and Sin-Dee. After serving a 28-day prison sentence, Alexandra fills Sin-Dee in on her boyfriend, and pimp, Chester, who has been disloyal during her time away.

Upon finding out that Chester has been hooking up with a cisgender female, Sin-Dee is livid; she’s not going to let the fact that it’s Christmas Eve prevent her from giving Chester and his new girl a piece of her mind. From this point forward, you’re trying to play catch up with Alexandra as Sin-Dee stalks her Hollywood neighborhood. The journey is an introductory transgender slice-of-life.

Tangerine was released in 2015. That same year, the 2015 U.S. Transgender Survey found that 45 percent of transgender people with unsupportive families experienced homelessness. There are a few subtle moments throughout the movie that bring to light to this sad betrayal.

One of them comes in the opening scene after Sin-Dee asks to use Alexandra’s phone in order to call Chester. Alexandra then explains how her phone had been shut off in order to cover Sin-Dee’s rent while she was locked up. We all like to think that we have good friends, but the way the transgender community looks after each other sheds new light on what it means to be a good friend in the modern age. With no family to look after her, Alexandra knows she’s one of Sin-Dee’s only lines of support.

It’s highlighted once again when Alexandra gets in a fight with a male who refuses to pay her after a sex act. After a police officer approaches them fighting over money in the street, the cop mentions how it’d be unfortunate to have to call both of their families on Christmas Eve to fill them in. Alexandra, without hesitation, quips back, “What family?”

Tangerine is able to use the lens of a phone to bring us closer to  Sin-Dee and Alexandra as they walk the streets to highlight transgender hardships like prostitution, drug use, and homelessness. The use of the cell phone as the storyteller creates a personal, immediate connection to the characters and gives the viewer a bird’s eye perspective you couldn’t get through a standard camera lens.

Tangerine by no means captures the entire transgender experience, but it’s been one that I think does a powerful job at getting people to discuss injustice and socio-economic hardships of this specific LGBTQ community.

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