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Uncovering Columbus: @columbusvisuals

While Instagram is filled with talented photo-graphers trying to use that powerful little square to get their work out there, a select few are also using it as their curatorial canvass. We decided to talk to Columbus Visuals’ founders for this month’s Uncovering Columbus feature—in the only way that made sense: from our photographer and [...]
614now Staff

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While Instagram is filled with talented photo-graphers trying to use that powerful little square to get their work out there, a select few are also using it as their curatorial canvass. We decided to talk to Columbus Visuals’ founders for this month’s Uncovering Columbus feature—in the only way that made sense: from our photographer and editor, all in the DMs.

@briankaiser: So, tell us a bit about @columbusvisuals. How long have you been around and why did you start it?

@mitchgeiser: Zack (@inthemidwest) and I started the page just over a year ago. When we looked at Columbus feature pages we felt like they fell in two categories. Half were highly followed pages that tend to feature businesses/tourism and [the] occasional skyline shot. While the other half were under-followed, yet featured a lot of amazing art/artists. We really wanted to bring these two worlds together. We are shooting for a page that artists follow and look to be featured on but also your every day user would be interested in as well. We want a page where not only photographers are inspired but so is the user who just wants to follow a Columbus page to see somewhere new to visit in their city.

@briankaiser: With over 3,500 followers and more than 18,000 uses of the#ColumbusVisuals hashtag, you guys have clearly found an audience. I think a big part of that has been the distinct images you find and feature. What goes into that process of selecting images to feature? Is there anything in particular you are looking for?

@inthemidwest: When Mitch and I talked about creating a page, it was because we wanted it to be something different. We wanted to share unique styles and perspectives to inspire our community to get out and explore Columbus. We wanted to share more than the same 10 photographers, and we actually wanted to find photographers who have never been featured on any page, but deserved it. The process is a lot of work. Enough so that we brought on three others to help run the page. A lot of time is spent digging through random hashtags and locations. We try to make sure we keep a diverse feed in both style  and content by constantly featuring new artists daily. Another way we have been able to discover new artists is by asking our Takeover Tuesday hosts to share what inspires them. Some of my favorite photographers have been found through others sharing their work during their takeover.

@briankaiser: Who have you guys found via the hashtag or a takeover recommendation whose work has really blown you away? Someone you weren’t already following?

@mitchgeiser: @xmarterz was a guy we found through this page. It was pretty exciting finding him because his style was unlike anything I’ve seen in Columbus. He isn’t from Columbus so our community was the first he got involved in. If I remember correctly our first meet up was also the first he had ever been to. He was also one of the first to host a takeover on our page.

@thelastwhitesquirrel: @house_of_revelry she’s rad. We’ve featured her a ton and others who have taken our page over have featured her as well. She shoots analog and digital. I love her work; she’s really good at making the ordinary things I’ve seen my whole life look extraordinary. I value that a lot in photography. She’s also super supportive to the community. She’s always commenting and liking photos we share.

@travis614: Are there certain tropes you see pop up that you try to avoid, or catch yourself trying to limit in your feed in such an imitative medium?

@widfarend: I think our focus is more on trying to feature a variety of photographers around Columbus, so if there was anything we try to avoid, it would be sharing the same photographers over and over.

@inthemidwest: I completely agree with Stephanie. I am completely amateur. I was into photography in college and stopped when life got busy. Mitch helped reignite that passion again by talking about photography while I got haircuts. He explained so much, took the time to give me advice, etc.

@travis614: Why do you think professional photographers have embraced Instagram, beyond just that it’s exposure? In my years in the biz, there was always such a huge divide and frankly, a bit of a snootiness about pro/am. Why has that changed and if you agree, how have you seen Instagram evolve that?

@widfarend: I really think that the communities nowadays want to collaborate and create with each other, especially the community we are seeing grow at Columbus Visuals. Instagram has simply provided the platform to do so. People want to connect, learn from, and explore with each other. And frankly that gets us so excited. The CV team is a great testament to that because each one of us brings something entirely different to the table.

@inthemidwest: Since starting CV we have had a wide range of professionals and amateurs and I have not seen a divide at all. People seem more about building a community and wanting to help one another, rather than being competitive.

@thelastwhitesquirrel: I totally agree with both of you.I’ve wanted to quit so many times, but the community has always encouraged me to keep going, pros and amateurs alike. I can’t speak for the rest of Instagram, but for the team here in Columbus, I see no divide between the pros and the amateurs.

@travis614: Finally: is there always the thought that there is still some secret spot out there that no one’s blown up? Or is it all about trying to find a fresh angle or lens to put on a familiar backdrop?

@inthemidwest: I still believe in the hidden spots. Exploring is one of my favorite things. I love looking for new locations, buildings, and views. The rush I get when I feel like I’ve been somewhere and captured something new no one else has, is a feeling like no other. Photography has just enhanced my passion to explore because I can share those places with others. I think if you look hard enough you can find little gems that haven’t been captured yet.

@thelastwhitesquirrel: As for tropes, the deer at the mile has been shot a ton and the skyline, but even so I still see new takes on those two things that make me say “wow.” I’m always impressed by people’s creativity and ability to capture things
I pass by every day and make them beautiful.

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CCAD grads make good use of their creative edge during Black Lives Matter ‘revolution’

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Photos by Rebecca Tien

The bleak isolation of the COVID-19 quarantine caused a mental block for many creatives. But for recent Columbus College of Art and Design graduates and visual artists LaShae Boyd and Kayneisha Holloway, the time and space only helped to enrich their craft.

Their post-grad artistic pursuits were especially sharpened during recent Columbus protests, as thousands of Central Ohioans joined together throughout the month of June to commemorate the lives of George Floyd, Breonna Taylor, and numerous other Black Americans killed by police. The most recent of which was the death of Floyd on May 25, who was killed by excessive force to his throat by Minneapolis, Minn., police officer Derek Chauvin. Chauvin is charged with second-degree degree, third-degree murder, and second-degree manslaughter. Three other officers on the scene are charged with aiding and abetting.

For both Boyd and Holloway, they hope that the growing Black Lives Matter movement sparked by Floyd’s death translates into further local opportunities for Black visual artists.

With a pop-surrealist focus, Boyd’s paintings are traditionally distorted and shadowy, which she attributes to the theme of chaos. When the pandemic became widespread, Boyd committed her time in quarantine to hold a daily creative process, whether it meant sketching or painting on full canvases. In turn, Boyd executed her goal, tackling more than one piece each day and later painting a mural commissioned by Maroon Arts Group.

“I wanted to represent Black people in a higher light. A lot of my work has to do with spiritual transformation within myself, so I wanted to push this further specifically highlighting black magic and the power we possess as a whole,” Boyd said of creating the mural during protests. “I think we should start taking this energy to neighborhoods of lower classes, the areas with less income and support, and fill it up with art. Art can raise awareness and infuse the community with love and unity.”

In a similar vein, Holloway embarked on taking multiple commissions earlier this year after being furloughed from two positions  during economic turmoil while finishing her degree. The multi-dimensional artist and interior architect caught up on meditating and reading to decompress from the heaviness of the pandemic. Once revived, she set off to the Greater Columbus Arts Council, where she was joined by other visual artists who encouraged her to share her thoughts on Floyd’s murder. 

“The word ‘empathy’ came to mind; that’s the only word I could think of since the first night of protests in Minneapolis,” Holloway said, later creating murals at Snap Fitness on Hubbard Avenue and the Huntington Center. “The silver lining is that this revolution is pushing me to become a full-time freelance artist, even [an] activist, which I would like to embrace more.”

Photos by Rebecca Tien

Prior to completing their studies at CCAD, Boyd and Holloway’s senior thesis seemed to foreshadow the current social climate in proximity to their core audience, even expanding their message to local government officials. Though Boyd initially lacked confidence, which transmuted into her work as a student, she soon transformed through her thesis titled “Out of Control,” previously showcased at Beeler Gallery on the CCAD campus. 

“It was a group of paintings and photos on the topic of finding self through the unconscious, using dreams as a guide back to repressed memories and personal truth,” she said. “With everything going on, it’s elevated my understanding of my position as an artist in society. I started thinking about how art not only is a great way to communicate difficult emotions but it’s literally like a time machine that you can explore.”

Art can raise awareness and infuse the community with love and unity.

Being a first generation college graduate, Holloway’s thesis analyzed the consumption of public art through murals and placemaking implemented into Columbus neighborhoods. Though she worked solo as classes went remote due to the quarantine, she attributes her pride as a muralist to studying interior design and architecture during those four years.

Photos by Rebecca Tien

“I did feel relieved to not have to worry about submitting an assignment online, but I didn’t feel I accomplished much outside of my grades and received my diploma through mail,” she said. “Attending classes remotely set my creativity and drive back a little because I liked the environment I was working in. I especially miss doing ceramics, which is impossible to do remotely when your art studio is also your bedroom, laptop, or phone.”

Still, Holloway was able to put finishing touches on her thesis dedicated to revolutionary artists who have used their proximity to local people to acknowledge and create space for those who have been disadvantaged. Those who inspired Holloway’s work included Stephanie Rond, Rick Lowe, Tyree Guyton and Aminah Robinson—whom she painted at the Ohio State Rotunda.

“On a community level, I hope every person as a whole will acknowledge themselves as worthy of living, and simultaneously will view their community members’ lives as worthy, without the role of police officers and authorities,” Holloway said. “On a political and economic level, I hope that our politicians, city council members, and city planners will acknowledge that Black people, regardless of class, lives matter; their health matters, their education matters, their neighborhoods and homes matter, and their safety and security matters.”

Disappointed when being unable to walk the stage at graduation due to social distancing, Boyd celebrated safely at home and hopes that recent community art pushes collective exposure for Black women.

“I hope that we can see the reasons why murals are so important outside of the aftermath of the rioting that was going on,” she said. “I want to make pieces speaking on what’s happening, keeping in mind that this is a piece of history [that] future generations can look back on and learn some of the events that structured their present.”

Noting the magnitude of male artists in Columbus, Holloway obliges with Boyd’s sentiment, aiming for Black women artists to receive their roses while they can still smell them.

Photos by Rebecca Tien

“We need to embrace change and differences—I haven’t seen many Black women artists being celebrated as much who are still living,” she said. “I think allowing Black women the space to develop their voices as well as express their voices and concerns is a step to support Black women and artists, even if their message is very different from what we normally hear and see.”

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(614) Movie Club: New Jon Stewart feature, Episode V Beer Tasting, and timely documentaries

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(614) Movie Club. It’s OK to talk about it. 

Every Monday at (614) we’ll be here to update you on virtual and physical screenings that are being offered by the businesses and organizations that make Columbus such a special cinema city. Read below for this week’s streams and showtimes.

NOW SHOWING AT GRANDVIEW THEATER

Jaws

The original Jaws will continue to show at Grandview theater after a July 4 weekend beer tasting. Fitting, right? Watching this might be what it takes to keep you away from the beach for the rest of the summer.

  • Showing: July 6-9 (4 p.m.)
  • Cost: $9
  • Release: 1975
  • Runtime: 124 min.

Jurassic Park

More Steven Spielberg horror on the big screen. Again, if you missed the beer tasting, you’ll have a few more shots this week at catching some dino-roaring action on the big screen.

  • Showing: July 6-9 (7 p.m.)
  • Cost: $9
  • Release: 1993
  • Runtime: 127 min.

Star Wars: Episode V - The Empire Strikes Back Beer Tasting

One of the most popular picks for best Star Wars film of all time, the beer tasting comes during a year when the fifth episode is celebrating its 40th anniversary. Enjoy a 10-round beer tasting, free pint glass, raffle prizes, and a very entertaining presentation.

  • Showing: July 11 (3 and 9 p.m.) and 12 (5 p.m.)
  • Cost: $40
  • Release: 1993
  • Runtime: 127 min.

NOW SHOWING AT STUDIO 35

Irresistible 

A local town battling big-party politics, written and directed by Jon Stewart and starring Steve Carrell? Looks great on paper, plays out even better on screen. Rose Byrne is outright ridiculous in this one. Enjoy a 2020 release in an actual movie theater with grade-A recliners.

  • Showing: July 6-9 (4:30, 7, and 9:30 p.m.)
  • Cost: $9
  • Release: 2020
  • Runtime: 104 min.

Jurassic Park

See above.

  • Showing: July 6-9 (4 and 7 p.m.)
  • Cost: $9
  • Release: 1993
  • Runtime: 127 min.

Jaws

See above.

  • Showing: July 6-9 (9:45 p.m.)
  • Cost: $9
  • Release: 1975
  • Runtime: 124 min.

Star Wars: Episode V - The Empire Strikes Back Beer Tasting

See above.

  • Showing: July 11 (noon and 5:30 p.m.) and 12 (2 p.m.)
  • Cost: $40
  • Release: 1993
  • Runtime: 127 min.

NOW STREAMING VIRTUALLY AT THE WEX

Cincinnati Goddam

A timely documentary that followed the Black Lives Matter movement around 2013, this film focuses on the corruption within the Cincinnati Police Department, whose force was responsible for killing a total of 15 black men between 1995 and 2001. 

  • Closes: July 9
  • Cost: Free
  • Release: 2015
  • Runtime: 103 min.

Ella Fitzgerald: Just One of Those Things

Ella Fitzgerald is one of the most prolific singers of all time. Although a lot of her life has been studied, this documentary goes deeper with some never-before-seen footage and interviews from greats such as Tony Bennett and Smokey Robinson.

  • Closes: July 23
  • Cost: $12
  • Release: 2019
  • Runtime: 90 min.

The Last Tree

A coming-of-age journey that follows a Black teenager trying to find his identity in the UK and beyond. The movie was the winner of the World Dramatic Competition at Sundance and Best Supporting Actress and Most Promising Newcomer awards at the British Independent Film Awards.

  • Closes: July 23
  • Cost: $10
  • Release: 2019
  • Runtime: 98 min.

Denise Ho - Becoming the Song

Another unfortunately timely documentary, Denise Ho follows the personal journey of the openly gay singer from pop icon to human rights activist. What emerged out of the Umbrella Movement of 2014 saw Ho take to the streets in the midst of the Hong Kong revolution in 2019.

  • Closes: July 30
  • Cost: $12
  • Release: 2020
  • Runtime: 83 min.

NOW STREAMING VIRTUALLY AT GFC

Ai Weiwei: Yours Truly

Ai Weiwei, China's most famous artist, transforms Alcatraz Island prison into an astonishing expression of socially-engaged art focused on the unjustly incarcerated. Known-whistleblower Chelsea Manning makes an appearance. 

  • Opens: July 8
  • Cost: $10
  • Release: 2019
  • Runtime: 78 min.

We Are Little Zombies

If eccentric Japanese cinema is your forte, you’ll want to check out We Are Little Zombies. A messy triumph of tragedy, comedy, music, social criticism, and teenage angst, watch what four teenagers do when they find out their parents are being turned into dust.

  • Opens: July 8
  • Cost: N/A
  • Release: 2019
  • Runtime: 120 min.
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Arts & Culture

Chihuly Nights

Julian Foglietti

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The Franklin Park Conservatory and Botanical Gardens has announced four additional viewings of Chihuly Nights, the glass installation by Dale Chihuly. Chihuly, is known for his large scale glass installations some of which have been featured in the Smithsonian American Art Museum and the Museum of Modern Art in New York.

The FPC installation features 19 glassworks, all professionally lit for a stunning effect. The artworks were announced in May to be on permanent view in the botanical garden and represents one of the largest collections of his works. 

In addition to the Glass exhibition, visitors can view the new Paul Busse Garden Railway, as well as a new Bonsai exhibit, currently on display. The Conservatory food truck will also be on hand until dusk to offer food and drinks to attendees. 

The planned viewing dates are July 11, Aug. 8, Sept. 12, and Oct. 10. The viewings will last from 7-10 p.m., and cost $22 for admission, with special pricing available for children and seniors. 

In line with new procedures, tickets are available for online presale

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