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Limited Run

Limited Run

Mitch Hooper

Quick: Picture Eddie George.

He’s lowering his shoulder and trucking through middle linebackers with no regard; it’s 3-yards and a cloud of dust like the good old days; it’s him hoisting that highly coveted Heisman trophy high in the air with all of Buckeye nation rocking a number 27 jersey. Crowd chanting, EDDIE! EDDIE! EDDIE!

Now, you’ll be required to hold your applause until the end.

But after that cloud of dust settled and the football career came to an end, Eddie George found his ways to stay in the spotlight. George has found some TV spots with Guy Fieri and The Rock, and even secured a few roles in feature films such as The Game Plan and Into The Sun, but it’s the live stage where he’s truly been training this last decade, playing the lead in Othello and Julius Caesar at the Nashville Shakespeare Festival.

Oh, and when he isn’t soaking up the camera lights in Hollywood or wherever else, you can find him working as a college professor, or as a financial advisor, or helping operate and run the small-business he owns. Yup, just like in football, it takes an army and a half to halt the versatile George.

Now with some experience under his belt, a few acting roles out of his way, and confidence building after a few years of theater roles in his adopted hometown of Nashville, George is ready to showcase his wide variety of talents in his newest role of Billy Flynn in the Broadway production of Chicago.

But before he and the cast take over the Palace Theatre February 6-11, we picked his brain about past roles, his current role, and how he can’t get the theater out of his head.

What has been your favorite show to be a part of? Working with every show I’ve been on is great. Working with Shooter or The Rock with Ballers, so far they all have been pretty interesting. I think each one was a different type of experience than the other. Not good or bad either, it just was what it was at the time.

If you had to choose between starting a reality TV show with either Dwayne “The Rock” Johnson or Guy Fieri, who would you choose and why? That’s tough because I don’t like reality television, so I’d probably lean more towards serious TV and working with The Rock. You know, he’s People Magazine’s Sexiest Man [Alive], he’s garnered a lot of attention, he’s the No. 1 actor of our time right now, box office-wise, and so yeah, I would definitely pick The Rock because there would be probably a lot of areas where you would see me on different platforms. So selfishly, I pick The Rock.

In Chicago, you play Billy Flynn, who is very much considered a villain in the play. How has it been switching personas from the beloved athlete to playing a smooth-talking con man? Some ways, Billy does play somewhat of a hero role. His demeanor and takes aren’t necessarily righteous or forthright—he’s sinister, he’s conniving, and he manipulates—but I think it comes from a genius thread. I guess it’s searching for the truth to why he does what he does. I hope it comes off as authentic and that’s what comes forward: the authentic parts of who he is—so when I’m in this world everything I do is justified, all my actions are justified with motive.

What’s been the most difficult thing about playing him? Is it, like you said, just trying to understand his mindset? The songs, for me. [Chuckles]. He’s very slippery, always thinking 5-6-7 steps ahead … you know, he’s a chess player. He knows the system, he’s been down this road, and he’s well-seasoned. So I think the challenging parts are trying to make it fresh. To not rely on the last performance or take it for granted. It’s constantly allowing the story to grow and evolve and be its own show versus other shows I’ve done. There’s always room for fresh moments or a different interpretation or perspective from what you see.

So have you tried to put a personal spin on Billy or have you tried to play it true to the original character? I try to do some personal things. You know, it’s my interpretation of some of the views. I definitely try to find those little nuances to create a totally different character than I ever knew. And that means really allowing that personality to come out times 10.

Have there been any songs that you just can’t get out of your head since the production started? Oh God, yes. And some of them aren’t my songs! [Chuckles] … I love doing “All I Care About Is Love.” It’s a grand entrance. It lets you know who I am. But, every song in Chicago is so good and so well-written. They are iconic songs, they have everlasted—they are timeless. Once you’re in musicals, you find things in songs, not even your own songs, that you love and [it] sticks with you.”


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