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Gallery Space: Danielle Deley

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In the ‘60s, the clash of mass culture and fine art exploded. Led by New York-based artist Andy Warhol, whose silkscreen paintings of Campbell’s Soup Cans and Marilyn Monroe were instantly iconicized, the vibrant basis of his works became known as pop art. While Warhol was one of the founding pop art leaders, the lesser-recognized Roy Lichtenstein was a Fine Arts graduate from The Ohio State University in 1949 and was notable for his comic-like expressionism.

Subtly following Lichtenstein’s influential trajectory is visual artist Danielle Deley, who’s currently prepping for her Skylab show Jubilee. Her use of color is rich in tone, and her subjects are easily recognizable, with cultural nods to Frank Ocean, Barbara Streisand and the late David Bowie as Ziggy Stardust.

Photos: Brian Kaiser

“I want Jubilee to feel like you’re walking back into the height of the pop art era. I might have a more muted color palette than Lichtenstein, but I want it to make a comment about traditional fine art,” Deley said. “Each of the 2D pieces are based off of very popular sculptures in Greek and Renaissance art. Each 3D piece is taken from paintings from that same time period.”

Originally from Youngstown, Deley graduated from CCAD in 2011 with a BFA in graphic design and advertising. Spending a semester in England while she attended CCAD, Deley regularly kept in contact with her grade school art teachers, who provided encouragement and foundational skills. Their guidance led her into becoming co-president of the Columbus Society of Communicating Arts, and even illustrating Chicago Mayor Lori Lightfoot on a cover of Chicago Reader in April. Through Deley’s intricate, pastel design, Lightfoot is recreated into a queen of spades form.

“Sue Kwong, the creative lead for the Chicago Reader, reached out, had this awesome cover idea and wanted me to bring her vision to life,” Deley said about the collaboration. “She found me on this forum called Women Who Draw, something I submitted to six years ago. They make a space for female artists and illustrators to find other female artists and illustrators. [Illustrating the cover] probably took eight hours. It was my first cover illustration for a big publication so I wanted to get it right.”

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Often visiting Gateway Film Center to see how films are composed, Deley actively studies the meticulous craft of cinematography, along with going to intimate gallery spaces to align with the art community. After graduating from CCAD, Deley would only create on her computer, but decided to transition her work into watercoloring. “[Watercoloring] then moved into gouache, wood carving, and finally painting with acrylics. My style started to take shape just from doing these small projects that popped into my head,” she said. “My first one was The Young and the Restless illustration that I have on my website and I just couldn’t stop. The style stayed the same but I would push myself with composition, size, and color.”

Currently contracting as a designer at independent digital design Studio Freight, Deley also co-created the “mind reading” board game Medium, which Two Dollar Radio attendees had the chance to celebrate and play after its release. In August, Delay also illustrated children’s (and dog lovers) book Good Night, Buckeye with author Dan Wurth, with all proceeds from the book benefitting Canine Companions for Independence. With Deley’s hectic creative schedule, Jubilee could have become an afterthought, but she assures (614) that the show’s creation was intentional, with retrospective, familial ties.

“I came up [with] the name [of Jubilee] for two reasons. One, Jubilee came from the idea of celebrating. I thought it was time to celebrate this style I’ve been creating,” she said. “And two, it’s an homage to my grandparents. My Baba would always make this rich and delicious cookies called ‘jubilees’. They were always doing a craft with me or when I would come visit they were creating something.”

With appreciation for local art venues such as 934 Gallery, No Place Gallery and Roy G Biv, Deley avidly wanted for Jubilee to be placed in Skylab, ready to share her “post-pop art” genre with Columbus. “Skylab was the perfect space to propose this show. Its view of art has always been contemporary and experimental, and that’s how I view everything I make,” she said. “Contemporary art for me is about making things weird and beautiful at the same time and that’s how I hope people perceive Jubilee.

Jubilee opens Jan. 1, 2020 at Skylab Gallery, located at 57 E Gay St., 5th floor.
Visit danielledeley.com or @danielle_deley on Instagram for more information.

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Arts & Culture

Virtual Experiences bring culture to our couch

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Now that we're all stuck at home for the foreseeable future, we could use some entertainment beyond hours of Netflix bingeing. And yes, Carole probably did it*

WOSU Public Media has come to the rescue by putting together a list of local, virtual experiences to enjoy from the safety and comfort of your bunker. Here's a list of just a few upcoming events ranging from music to the arts.

Sunday, March 29
Columbus Symphony’s Russian Winter Festival – The Columbus Symphony broadcasts its Russian Winter Festival ll concert, featuring masterpieces by Prokofiev, Borodin, Rimski-Korsakov, and Tchaikovsky at 1 p.m. on Classical 101.

Columbus Goes Live – The Cyber Festival –  A virtual entertainment experience streaming across different pages to support local performers who are directly impacted by the critical shutdowns of venues during the COVID-19 outbreak. Join in and make history by supporting your favorite bands, comedians and performers in the Columbus area.

Why not a virtual bar?

Brewdog is even getting in on the act with its upcoming, Brewdog Online Bar. They plan to "open" for business at 6pm on Friday, March 27th. The bar plans to feature live beer tastings with our co-founders James and Martin and other beer experts, homebrew masterclasses, live music & comedy and more.

Brewdog will be sharing further details soon and a complete schedule of the events on their Twitter and Instagram accounts.

*Carole, as in this Carole.

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Columbus band snarls is bursting with promise on debut LP

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As the decade that birthed the fidget spinner and basically nothing else of note drew to a close, music blogs large and small dedicated astonishing amounts of digital ink to their inevitable “album/song/artist of the decade” rankings.

Usually restrained to a totally undaunting 100 items, these lists surveyed the topography of a ten year span that saw the legacy of rock music as we know it (straight, male, and horny) continue its gradual and unceremonious slide into irrelevance.

From relative newcomers like Courtney Barnett, Snail Mail, and Julien Baker, to established voices such as the Breeders, St. Vincent, and Sleater-Kinney, rock music in the 2010s was revitalized by female artists who enjoyed a larger portion of the spotlight in this decade than ever before.

Columbus-based alt-rockers snarls are firmly situated on this new wave, but the rapid success the group has enjoyed since forming in 2017 is entirely due to their own hard work and astonishing creative powers. Consisting of Chlo White on guitar and lead vocals, Riley Dean on bass and vocals, and sibling duo Mick and Max Martinez on guitar and drums respectively, snarls is the capital city’s contribution to the future of rock—and they won’t be contained to the 614 for long.

Photos: Brian Kaiser

Originating in the local DIY scene, snarls got their start playing house shows, eventually moving on to established venues throughout the city. The group’s sound incorporates influences from ‘90s grunge, to the emo stylings of bands like American Football, to the pop sensibilities of Halsey and Kesha. The result, as White puts it, is music that coalesces into a “melting pot of teenage angst.”

In the summer of 2019, snarls was propelled to a new level of notoriety when the video for the group’s single, “Walk in the Woods”—a glittering anthem of unrequited love sung over chorused-out guitars and with a hook more infectious than meningitis—premiered on the music blog Stereogum. The track also made the cut for the site’s “100 Favorite Songs of 2019” roundup.

“We didn’t even have a tripod, the camera was set on like four books and the backdrops kept fucking falling,” White recalls of filming the video, which the group self-produced.

“That song not only has given us more streaming, but has brought us so much press and cool shows,” Mick says of the track, which has accrued almost 40,000 streams on Spotify at the time of this writing. “I don’t think the Sleater-Kinney thing would ever have happened if that song wasn’t out. It’s crazy that just that one song alone has brought us so much opportunity.”

The Sleater-Kinney thing? That would be snarls opening for the legendary Pacific Northwest rockers at the Newport Music Hall on their recent tour stop in Columbus. While it was easily the biggest show in the young group’s career thus far in terms of profile and audience size, the members of snarls were up to the challenge.

“For me, it’s easy to switch between playing a house venue and playing the Newport,” Dean says confidently of the band’s milestone moment. “It’s still just a stage. It’s still just people watching me play my music. One’s just bigger.”

If the release of the group’s breakthrough single is any indication of snarls’ trajectory, it’s safe to assume big things are on the horizon. “Walk in the Woods” is just a taste of the group’s first full-length LP, titled Burst, which is planned for a Spring 2020 release. To help achieve their artistic vision for the album, snarls tapped Jon Fintel of Relay Recording to handle production duties.

“Jon has played a really important role,” Mick says of Fintel’s contributions to the recording process. “Not only does everything sound high-quality because of him, but even when we brought demos to him, it was like ‘let’s scrap this song because it doesn’t quite fit in, and I know that you guys can do something better.’ And then we wrote one of our favorite songs.”

For established fans, the description that snarls teases for their new release should come as no surprise: expect a long emotional arc cast across tracks that alternate between “perfect for dancing,” and others better suited to crying. For snarls, the completion of the recording provides a profound sense of accomplishment.

“I make a lot of art. I’m always making a photo, or doodling, or writing. But this is one of my—our—finer- crafted pieces of art that I am just really proud of, regardless of what happens with it, or if it goes anywhere,” says White. “If it just sits in a dark corner for the rest of my life, I’m still content. I’m just really proud of all the work that we collected in this little ten song record.”

Find snarls on all major streaming platforms. For tour dates, merch, and more, visit snarlsmusic.com

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Elijah Banks brings his worldview back to Columbus through new album

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Near the end of “Tunes in My Room,” a song by local rapper Elijah Banks, samples of a affirmations from social media personality Amber Wagner kick in. “You are still surrounded by an abundance of love, you have joy around you, God is with you,” Wagner passionately evokes. “You gon’ be alright.” Though Banks proclaims sophomore album Spin as a love story, much like Wagner’s declaration, through nine tracks filled with soulful aptitude, Banks finds that self-love is the ultimate destination.

“On my first album [Progress, Not Perfection], I wanted to show people all the different routes that I could take,” Banks said. “Over time, I’ve realized that my true roots lie in what makes people feel good, [which is] self-love; that’s what this album is about. When you start loving yourself, you are forced to recognize and notice what isn’t for you.”

Born into a military family, Banks drew different perspectives of music through his upbringing in Germany, New Jersey and Atlanta before ultimately settling in Ohio. Being in the midst of trap-rap culture during his time in Atlanta, he says that if you’re looking for hollow autotuned rap, Spin probably won’t be the ideal soundscape. In fact, not fitting into mainstream standards is helping Banks weed out who his music isn’t for.

“At first, I wanted to aim for a more pop-driven record that could get lots of spins on radio and push myself out more in a regional manner,” he said. “Each song showcases a situation right before it spins out of control.”

Yet, Spin doesn’t sound as chaotic as Banks seems to lead on. In fact, it’s quite relatable, with intricate spoken word amidst a gentle piano (“Kev’s Interlude”), the all-too- common frustrations of working a full-time gig (“4 AM”), and anxiously wading through mall crowds (“Zooming Thru”). With an emotive songwriting process, Banks shares that his ideas are often spur-of-the-moment and generally based on production.

“Sometimes I’ll roll through 20 to 30 beats a day until I find one that matches my mood. Once I choose the beat that I like, I generally work on the rhythm and tones that I want to get across. Then, the focus on the lyrics comes,” Banks says. “I try to talk through relatable subjects with a pop culture modern twist. If you listen to “Zooming Thru,” the song is about my card getting declined at a high fashion store. I like to play with eye catching themes and turn them into great songs.”

While a remainder of songs that didn’t make the cut on Spin will be featured on an impending project titled Elijah Banks & Friends, the rapper values collaborating with fellow Columbus-based artists to stay grounded. Part of 14-member collective Rawest4mation, a group of artists that uplift community arts culture, Banks aspires to one day run an indie label.

With a structural team in place, Banks credits Spin executive producer Kevin Kesicki with piano instrumentation and the cohesive flow of the album, alongside DJ B Redi, Banks’ official DJ. With plans of one day throwing niche cultural events, Banks hopes to eventually test his walk on the runway, having previously modeled for local streetwear brand Good Behavior. Nearly two years after making a splash at Breakaway Festival, Banks is preparing to showcase his diverse instrumentation and creative material at his next show on Valentine’s Day in New York City, backed by his band The Balance. Though his music is leading Banks to spaces outside of Columbus, he says that these performances would be nearly impossible without hometown support.

“I asked myself at the end of last year what [2020] holds for me,” he said. “Many people say [Columbus doesn’t] have talent but honestly, I truly believe you have everything you need for the things to bubble, minus one thing: We need to cross support and take our consumers seriously.”

Though 2020 has just started, with an intentional feel-good sound on Spin, Banks has his sights set on finishing the year more consistent than he’s begun. It’ll be exciting to hear.

Elijah Banks’ music is available on Spotify. Follow him on Twitter @elijahwonbanks and Instagram @elijahbanksmusic.

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