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Gallery Space: Maya Lin, Ann Hamilton and Jenny Holtzer: HERE

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Visual artists Maya Lin, Ann Hamilton and Jenny Holtzer have respectively crafted world- renowned legacies that have brought them back to their native state. Challenging viewers with an intentional focus on Ohio’s constant adaptation, both environmental and ethical, each artist will make visceral connections with guests of HERE, an exhibition that brings together three significant Ohio artists whose work has stood the test of time, and who have finally come together for the first time.

“While I and others at the Wexner thought about an exhibition that featured other Ohio-born artists, these three just seemed to make sense, aesthetically and in terms of their ideas and their potential relationship to the galleries of the Wexner Center,” says HERE curator Michael Goodman. “I started to think about this place in terms of the Wexner’s 30 years. About that time, I saw a set of Jenny Holzer’s benches from 2017 at Art Basel in Switzerland. This work used language by the Polish WWII-era poet Anna Swir. I was really moved by them, and it occurred to me that Jenny was from Ohio and that a good portion of her career matched the Wexner’s 30-year lifespan to this point.”

Along with Holtzer, Goodman had aligned his sentiments with the works of Lin and Hamilton, thus spawning the aesthetical collaboration with The Wexner Center. While each artist has their own personal style that is imprinted in their art, they have an interdependence that has lasted throughout their careers.

“While there is some commonality in why these three artists think about and use materials, what has become more interesting is how the accumulation of materials seems to have, at least in part, come to define how they all thought about this exhibition and about the galleries of the Wexner Center,” says Goodman. “All three have literally accumulated massive amounts of their chosen materials—posters, language, glass marbles, map pins, images—to create immersive worlds for our patrons to think about and, hopefully, to carry away with them into their lives. As viewers walk into the Wexner galleries this fall, this will be immediately felt. I think the exhibition feels like a world, and also like the world.”

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Specifically addressing Ohio’s environmental issues, Maya Lin’s nail installation Pin River: Ohio Aquifers will represent Ohio waterways. In tandem with another piece by Lin, a glass-beaded “map” of the 2017 flood between the Ohio and Wabash Rivers speaks to the impact of global warming. As an in-depth look into familiar home objects scattered across Ohio, Ann Hamilton’s on view placement will be on the walls of the Wexner Center overlooking Ohio State’s campus. Her project when an object reaches for your hand, is a collaborative effort with The Thompson Library, a meditation on the perception of objects, and how they’re ingrained in our lives. Engaged with themes of universal humanity, Jenny Holtzer’s direct immediacy of Truisms and Inflammatory Essays will surround viewers with verbal adhesives.

“Choosing the work for the exhibition was largely about these three artists doing what they have consistently done well—thinking about the emotional and physical engagement that views have to an exhibition space and applying these concerns to the Wexner’s spaces specifically and then doing so in terms of what they are thinking now,” Goodman says.

For those who are unfamiliar with Lin, Hamilton and Holtzer, the significance of their work will be instantly recognized upon entering HERE. As Goodman’s curation relied heavily on emotional and physical engagement, his focus also opened a conversation of female visibility in the art world.

“Simply put, women have been under- represented in museum exhibitions. I think everyone at the Wexner Center feels a responsibility to not continue this myopic way of thinking and working. These three artists— who really have played a substantial role in defining what contemporary art is—happen to be women,” says Goodman. “We are happy to recognize all they have done to shape the contours of how we think about art because women really have done so much of this work; most of it, actually, over the last 50 years or so.”

Formatively shaped by the metamorphosis of home, the art of HERE defies both time and space, foreshadowing inevitable environmental changes and its effect on the community’s spirit. “One cannot help but feel the weight of what [the artists] have contributed. The importance of what they have done can quite literally be felt as you enter these spaces,” says Goodman. “As you feel this, you also know the importance of the Wexner Center, what it has contributed to Columbus, Ohio and the world. In this regard, these three artists and their ideas are a perfect match to this place and this time.”

HERE will run at The Wexner Center for the Arts from September 21st to December 29th.

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Arts & Culture

Watch: “World’s largest mural” in Short North is more than meets the eye

Regina Fox

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At a glance, "The Journey AR Mural" adorning the Graduate Columbus hotel in Short North is stunning. Look a little harder, and it actually comes to life.

Standing at over 107 feet tall and over 11,000 square feet of augmented reality, "The Journey AR Mural," is the world's largest AR mural, offering technology that superimposes a computer-generated image on a user's view of the real world, thus providing a composite view.

The gaily-painted snapdragons, hibiscus, Easter lilies, and hummingbirds bloom and fly when viewed through the Journey AR Mural app (free for iPhone and Android). Watch the murals come to life in the video below.

https://www.instagram.com/p/B7PRvBxpBkI/

Los Angeles-based artists Ryan Sarfati and Eric Skotnes (going by “Yanoe” and “Zoueh," respectively) are the creatives behind the project.

In an interview with Short North Arts District, Skotnes revealed he was inspired to take on the project after learning that Columbus is home to the second largest population of Somali immigrants in the country—he hopes the murals symbolize strength and prosperity for its viewers.

To learn more about The Journey AR Mural, visit shortnorth.org.

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Undercover: Unique music festival showcases Columbus music talent this weekend

Mike Thomas

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Since beginning in 2018, Columbus Covers Columbus (CCC) has grown into a signature event in the thriving local music scene. Now in its third year, this unique festival is centered on the concept of local musicians playing sets comprised entirely of music from other local acts.

CCC is the brainchild of Columbus music promoter Tony Casa, who wanted to create a showcase for a supportive community of local artists to share their mutual admiration for each other's music.

As entertaining as the event is for spectators, CCC doubles as a valuable networking opportunity for local entertainers and creatives.

"There are great local merchants, games, and tons of networking opportunities for everyone in the community," says Casa. "This isn’t just a great show, it’s like a proper festival—but in the winter."

Since its inception, the event has expanded to include stand-up comedy, poetry readings, burlesque performances, live podcast recordings, and more, all in the spirit of promoting and celebrating the Columbus creative community.

CCC will take place from January 17-19 at Classics Victory Live at 543 S High St. The event is 18+, with tickets available at the door for $10. For more info including a full list of artists and vendors, visit Columbus Covers Columbus on Facebook.

Cover photo by Catherine Lindsay photography.

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Columbus band snarls is bursting with promise on debut LP

Mike Thomas

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As the decade that birthed the fidget spinner and basically nothing else of note drew to a close, music blogs large and small dedicated astonishing amounts of digital ink to their inevitable “album/song/artist of the decade” rankings.

Usually restrained to a totally undaunting 100 items, these lists surveyed the topography of a ten year span that saw the legacy of rock music as we know it (straight, male, and horny) continue its gradual and unceremonious slide into irrelevance.

From relative newcomers like Courtney Barnett, Snail Mail, and Julien Baker, to established voices such as the Breeders, St. Vincent, and Sleater-Kinney, rock music in the 2010s was revitalized by female artists who enjoyed a larger portion of the spotlight in this decade than ever before.

Columbus-based alt-rockers snarls are firmly situated on this new wave, but the rapid success the group has enjoyed since forming in 2017 is entirely due to their own hard work and astonishing creative powers. Consisting of Chlo White on guitar and lead vocals, Riley Dean on bass and vocals, and sibling duo Mick and Max Martinez on guitar and drums respectively, snarls is the capital city’s contribution to the future of rock—and they won’t be contained to the 614 for long.

Photos: Brian Kaiser

Originating in the local DIY scene, snarls got their start playing house shows, eventually moving on to established venues throughout the city. The group’s sound incorporates influences from ‘90s grunge, to the emo stylings of bands like American Football, to the pop sensibilities of Halsey and Kesha. The result, as White puts it, is music that coalesces into a “melting pot of teenage angst.”

In the summer of 2019, snarls was propelled to a new level of notoriety when the video for the group’s single, “Walk in the Woods”—a glittering anthem of unrequited love sung over chorused-out guitars and with a hook more infectious than meningitis—premiered on the music blog Stereogum. The track also made the cut for the site’s “100 Favorite Songs of 2019” roundup.

“We didn’t even have a tripod, the camera was set on like four books and the backdrops kept fucking falling,” White recalls of filming the video, which the group self-produced.

“That song not only has given us more streaming, but has brought us so much press and cool shows,” Mick says of the track, which has accrued almost 40,000 streams on Spotify at the time of this writing. “I don’t think the Sleater-Kinney thing would ever have happened if that song wasn’t out. It’s crazy that just that one song alone has brought us so much opportunity.”

The Sleater-Kinney thing? That would be snarls opening for the legendary Pacific Northwest rockers at the Newport Music Hall on their recent tour stop in Columbus. While it was easily the biggest show in the young group’s career thus far in terms of profile and audience size, the members of snarls were up to the challenge.

“For me, it’s easy to switch between playing a house venue and playing the Newport,” Dean says confidently of the band’s milestone moment. “It’s still just a stage. It’s still just people watching me play my music. One’s just bigger.”

If the release of the group’s breakthrough single is any indication of snarls’ trajectory, it’s safe to assume big things are on the horizon. “Walk in the Woods” is just a taste of the group’s first full-length LP, titled Burst, which is planned for a Spring 2020 release. To help achieve their artistic vision for the album, snarls tapped Jon Fintel of Relay Recording to handle production duties.

“Jon has played a really important role,” Mick says of Fintel’s contributions to the recording process. “Not only does everything sound high-quality because of him, but even when we brought demos to him, it was like ‘let’s scrap this song because it doesn’t quite fit in, and I know that you guys can do something better.’ And then we wrote one of our favorite songs.”

For established fans, the description that snarls teases for their new release should come as no surprise: expect a long emotional arc cast across tracks that alternate between “perfect for dancing,” and others better suited to crying. For snarls, the completion of the recording provides a profound sense of accomplishment.

“I make a lot of art. I’m always making a photo, or doodling, or writing. But this is one of my—our—finer- crafted pieces of art that I am just really proud of, regardless of what happens with it, or if it goes anywhere,” says White. “If it just sits in a dark corner for the rest of my life, I’m still content. I’m just really proud of all the work that we collected in this little ten song record.”

Find snarls on all major streaming platforms. For tour dates, merch, and more, visit snarlsmusic.com

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