Each January, we feature the movers and shakers of the city in in-depth, in-person interviews that dig into their backgrounds, their plans, and what ties them to the capital city. While our interview issue subjects are all Columbus-based, their stories are universal. So settle in, cozy up, and give yourself some you-time. You’ll want to read every word.
Saeed Jones has traveled across the country promoting his new memoir and chosen Columbus for his own next chapter.
Author and new Columbus transplant Saeed Jones finally has a break after wrapping up his 16-city tour to promote his new memoir How We Fight for Our Lives. It’s a book that isn’t solely about his past, but is designed as an earnest conversation with readers. The book succeeds Jones’ previous poetry collections and a stint as Executive Editor of Culture at BuzzFeed, and is already receiving numerous honors and highly- publicized acclaim.
“It took a long time to write the book, almost a decade. So,
I had a lot of time to think about writing it [being] one thing,
but when you publish it, it becomes something different. I tried
not to think so much about other people and the audience, but
I think I trusted that if I could write to myself sincerely [and]
candidly, that would be a bridge for other people,” he said.
“It’s like you’re encountering someone when they just had a
transformative experience. Something that’s really important for
me in my writing is the cost of silence and the ways we silence
ourselves. I think it’s powerful—as a writer, with the fortune I’ve
had in my career—for people to be like, ‘I’m going through it’, and
for me to be one more person who goes, ‘Me too.’”
Though some authors intend to tell their stories later in life, Jones wanted to focus his story on the time period from his upbringing in Texas through his mid-twenties to capture a specific ethos that informed his narrative. Concerned that segments of his life would become deemed irrelevant to readers, he found the immediacy of the news sparked him to publish the book sooner than later. Soon after Jones considered writing in detail about the 1998 murder of Matthew Shepard, which shifted the LGBTQ+ conversation, the 2016 Pulse Nightclub shooting occurred.
“Whenever I would get a little hard on myself about the
book’s intentions, it felt like America would go, ‘We gotta do
this now,’” Jones said. ”Everything’s not perfect but a lot has
changed from 1998. [While writing,] I was like, ‘I don’t know if
it’ll be a perfect book, but it’s gonna be the book that I want and
After his mother’s passing in 2011, Jones is attentive to
their relationship in How We Fight for Our Lives, endearingly
dedicating the book to her even after a moment of uncertainty
that occurred when he came out. In spite of having a vibrant
relationship with his mother, Jones jokes that the two weren’t
able to naturally discuss sexuality. Promoting the memoir before
Thanksgiving, Jones mentions that some LGBTQ+ readers
confided in him about their own awkward conversations
“Sure, it’s important for us to write about clear and present danger, whether that’s police brutality, homophobic or
racially-driven violence, [but] I think that it’s also important
for us to pay attention to the more subtle hurts that come to
define us. Sometimes those hurts are a result of failings; loved
ones who just can’t support us because they’re like ‘I don’t get
it’ and they kind of give up,” he said. “My mom was working two
jobs, so a lot of times she was just tired. She was like, ‘Sorry, we
can’t have a heartfelt conversation today, I gotta go to my second
job.’ That had an impact on me, and I know that has an impact
on a lot of other people in those moments. In any meaningful,
long-lasting relationships—certainly family relationships—it
is going to be complicated. If you don’t have multiple colors in
how you’re thinking about that relationship, the truth is that
something is being deadened, something is being intentionally
or unintentionally ignored or silenced.”
An avid reader of works by Margaret Atwood and Audre
Lorde, Jones recognizes a similar urgency from his memoir
through his influence James Baldwin, admitting to reading his
1956 novel Giovanni’s Room repeatedly, revisiting it at different
points of his life to gain a new perspective. Identifying with
different characters each time, Jones focused essentially on
Baldwin’s deconstruction of queerness and social dynamics,
which intersected American politics with racial identity.
“[Baldwin] wasn’t going to pretend that there was this monolithic
Blackness. He wasn’t just going to pretend that there weren’t
Black men—who he was advocating for in terms of civil rights—
who weren’t homophobic. He was like ‘We’re gonna do all this
together’” Jones said. “He’s drawing from his background in
Christianity, but he’s changed; he’s not practicing his faith in the
same way. He [was] just doing a very good job of showing how
we’re in flux and that it’s natural and better to embrace that. I
feel like that set me up to start paying attention.”
Habitually enthusiastic about settling in Columbus (or what
he calls “the promised land”), Jones speaks gleefully about The
Great Migration and Ohio boasting essential Black authors—Paul
Laurence Dunbar, Jacqueline Woodson, Hanif Abdurraqib and
Toni Morrison. While he notes that Black authors have thrived
in Ohio through a formidable writing scene, in How We Fight for
Our Lives, Jones touches keenly on the fragility of Black life. Days
prior to our conversation marked the one-year anniversary of
the death of 16-year-old Julius Tate, who was shot by Columbus
police during a sting operation.
“If we’re able to villainize people we have wronged—and
Julius was certainly wronged—it eases the rhetoric of brushing
the wrong aside,” Jones said. “It happens so often and so much
of our culture grooms all of us to move on. I’m not the one to
say what justice for Julius and for Black people impacted by that
violence looks like, but I would love to hear it. I have no interest
in telling people to be quiet. I’m a writer, so I think a lot about
editing and revision, and how you polish and the drafts you don’t
want people to see. Cities are text, too.”
While Columbus continues to be a work in progress through
systematic tensions, Jones is embracing the city’s tangible
LGBTQ+ scene after residing in New York City, Atlanta, and
San Francisco. In support of the Black Queer & Intersectional
Collective, he attended the Columbus March for Black Trans
Women in November, where he felt a sense of cohesiveness within
the city. “I feel like the march was a great example of waking me
up—unsurprisingly, it’s easier for cisgender gay men to live and
feel embraced here than Black trans women in Columbus,” Jones
said. “The stakes are high, but it feels possible. Here it feels like,
‘start reading up, go to that march, talk to people,’ as opposed to
‘here’s the finished story.’”
With a story far from over, Jones reveals that his next life work is to write about joy to balance the scales with his past struggle within How We Fight for Our Lives. Avidly writing about pain and loss, he vows to dabble into more written frameworks outside of his comfort zone. “I feel like I’ve written about myself so damn much, maybe learning to write in other forms—fiction—would be fun. I want to learn more, I feel that’s when I’m most alive, when I’m learning and realizing that I’m learning,” he said. “That’s when I feel fully present as a person, not when I think I know the beginning, middle and end.”
Follow Saeed Jones on Twitter and Instagram at @theferocity.
Uncle Nick's Greek Fried Chicken is gone, but it will not be forgotten thanks to a new spinoff concept opening soon.
The Crispy Coop will open at 1717 Northwest Blvd in the former Acre location on Saturday, February 1. This new restaurant will continue to serve the award-winning chicken, as well as many new menu items including Nashville style hot chicken, chicken sandwiches, and all new homemade sides.
A recently-opened Polaris gym wants to raise the barre on your fitness this year.
Pure Barre, the largest barre franchise in North America, opened its doors in Columbus on January 9 at 1513 Gemini Place.
The new studio will offer members a low-impact, total-body workout using a ballet barre and small pulsing movements to strengthen and tone. Each Pure Barre class is designed as an intense workout that improves endurance, flexibility, and balance.
Pure Barre Polaris is owned and operated by Amanda and Nathan Bradish, who both graduated from Ohio State University and have lived in Columbus for almost 10 years.
“Barre is a low impact, high intensity workout that is safe on joints while also toning and strengthening your muscles,” said Amanda. “Any age and fitness level can benefit from barre because of its low impact. I’ve been waiting for Pure Barre to finally come to the Polaris area, so I’m excited to combine my passions and be the one to bring it to the neighborhood.”
To give the Columbus community an opportunity to become familiar with the Pure Barre experience, the studio will celebrate its opening with free classes on Feb. 22-23.
Pure Barre Polaris is open daily. The studio can be reached online at www.purebarre.com or by phone at 614-787-5559.